目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Draped bust of a ruler facing right, rendered in a stylized, late antique manner characteristic of Lombard-period coinage. The effigy displays a diademed or helmeted head with visible facial features, surrounded by a beaded border. A partial Latin legend runs around the periphery, reading [...] NI - VIHOVS, the letters unevenly spaced and partially degenerate, reflecting local workshop execution. The bust is depicted with simplified drapery at the shoulder, consistent with pseudo-imperial tremissis iconography of the period. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | [...] NI - VIHOVS |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Issued under the Lombard duchy of Tuscany during the late seventh century, these tremisses were struck in close imitation of Byzantine prototypes — a deliberate policy that kept them acceptable in Mediterranean trade circuits where Byzantine gold set the standard. The Lombard kingdoms never fully abandoned this mimicry, even as their political independence from Constantinople hardened.
The "cf." qualifications against Arslan and the BMC Vandal reference signal that this piece sits near but not squarely within established die groupings — not unusual for Lombard provincial issues, where die cutting was decentralized and local variations proliferate just enough to frustrate clean attribution.