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| 正面描述 | A mythological Hamsa bird (sacred goose of Hindu-Buddhist tradition) depicted in left profile, rendered in highly stylized Khmer artistic style with elaborate scaled plumage, ornate crested head, and dramatically swept decorative tail feathers filling the right field. Khmer script legends arranged around the periphery of the field, with additional inscriptions occupying the upper portion of the design. The whole is enclosed within a finely toothed inner border and a reeded outer rim. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A three-towered Khmer royal palace or temple facade rendered in fine detail, featuring tiered prasat towers with flame finials and stupa-like superstructures flanked by naga serpent balustrades, all rising above a decorated base with geometric ornamentation. A central cartouche in the middle tower contains Khmer script inscription. The design is executed in a classical Cambodian architectural style and is enclosed within a toothed inner border and reeded outer rim. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
This piece belongs to a small group of pattern issues prepared for Norodom I before his formal coronation — he was installed as king in 1860 under Franco-Siamese supervision, but pre-coronation coinage trials were conducted well before that date. Cambodia had no established modern mint tradition, and these patterns were almost certainly struck in France or by French-connected die cutters as part of early colonial monetary planning. White metal strikes of this type were standard proof-of-concept pieces, not intended for circulation. KM#PnA2 is among the earliest documented attempts to produce Western-format coinage for the Cambodian kingdom.