目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Stylized female deity, likely a goddess figure, depicted in frontal stance wearing a flowing cloak or garment, rendered in the highly degenerate iconographic tradition of the late Samatata series. The figure's form is reduced to schematic linear elements, consistent with the progressive artistic degradation observed in this coin series. Partially legible Brahmi legends are distributed around the field, though heavily corrupted and largely illegible due to the advanced debasement of the type. Subsidiary symbols occupy the remaining field spaces. |
| 背面文字 | Brahmi |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Samatata type staters issued from the Bengal delta region during this period reflect a monetary system under sustained pressure — successive dynasties debasing their gold issues as political control fragmented across the Ganges-Brahmaputra plain. Kairvatas of Varendra likely represents a local ruling line asserting independence in the aftermath of Harsha's empire collapsing after 647 AD, with coinage serving as the most visible declaration of that autonomy.
The Mitchell reference as a "cf." rather than a direct attribution signals how poorly documented this specific ruler remains — attribution rests on typological comparison rather than firm epigraphic or textual corroboration.