Catalogue
| Émetteur | Jambi, Sultanate of |
|---|---|
| Année | |
| Type | Standard circulation coin |
| Valeur | 1 Pitis |
| Devise | Pitis |
| Composition | Tin |
| Poids | 1.39 g |
| Diamètre | 20.2 mm |
| Épaisseur | 0.75 mm |
| Forme | Round with a square hole |
| Technique | |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Javanese inscription surrounding square hole. Base to center, read clockwise. |
|---|---|
| Écriture de l’avers | Javanese |
| Légende de l’avers | ꦥꦶꦕꦶꦱ꧀ꦗꦩ꧀ꦧꦶ |
| Description du revers | |
| Écriture du revers | |
| Légende du revers | |
| Tranche | Plain |
| Atelier | |
| Tirage |
ND - - |
| ID Numisquare | 1592606800 |
| Informations supplémentaires |
Historical Context: This 1 Pitis, or Picis, coin originates from the Sultanate of Jambi, a significant Malay kingdom on Sumatra’s eastern coast. Flourishing from the 17th to early 20th century, Jambi was a prominent trading hub, renowned for its pepper exports. The pitis, typically tin or copper, served as the primary small denomination for everyday transactions within the Sultanate. While the specific year is unrecorded, such tin pitis were widely circulated during the Sultanate’s economic zenith.
Artistry: The design of Jambi pitis, including this specimen, typically adheres to the aniconic principles of Islamic numismatics, featuring intricate Arabic calligraphy. Specific engravers for these utilitarian issues are generally unrecorded, with the stylistic school being local Malay-Islamic, often exhibiting a somewhat rustic yet distinct character. Designs commonly display religious phrases, such as the Kalima, or the name and titles of the reigning Sultan, rendered in a simple yet effective script suitable for tin.
Technical/Grading: Struck on a tin flan (1.39 grams, 20.2 millimeters), this coin presents specific technical considerations. Tin, a soft metal, is highly susceptible to wear, corrosion, and planchet irregularities. High-points, typically bolder Arabic script strokes, are often the first to show weak strike or detail loss from circulation. Grading must account for the metal's limitations and rudimentary striking methods; a full, crisp strike is exceptionally rare, thus surface preservation is paramount.