目录
| 发行方 | Myanmar |
|---|---|
| 年份 | 1853 |
| 类型 | Coin pattern |
| 面值 | 1 Kyat |
| 货币 | First kyat (1852-1889) |
| 材质 | Copper |
| 重量 | |
| 直径 | 31 mm |
| 厚度 | 3 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | 31 March 1892 |
| 参考资料 | KM#Pn9 |
| 正面描述 | Peacock facing left with full display surrounded by lettering. |
|---|---|
| 正面文字 | Burmese |
| 正面铭文 |
တံဆိပ်တော် (Translation: `Tazeik taw` or `Royal stamp`.) |
| 背面描述 | Denomination within wreath surrounded by lettering. |
| 背面文字 | Burmese |
| 背面铭文 |
ရတနာပုံနေပြည်တော် ၁ိသုံးဒင်္ဂါး (Translation: `Yandabon Nepydiaw` - `Mandalay the Royal residence`. `t`tjat thon dinga` - `Use coin as 1 kyat` 1214 Buddhist era, 1852-53 AD.) |
| 边缘 | Reeded |
| 铸币厂 | |
| 铸造量 |
1214 (1853) - - |
| Numisquare 编号 | 5807073210 |
| 附加信息 |
Historical Context: The 1853 1 Kyat copper pattern coin emerges from the tumultuous final year of Pagan Min's reign (1846-1853). Marked by the devastating Second Anglo-Burmese War, concluding in 1853 with significant territorial losses, this milled pattern represents a radical departure from traditional cast coinage. It signifies an attempt at monetary modernization, reflecting a desire for a standardized currency system, influenced by British presence, amidst profound political instability and Pagan Min's eventual dethronement.
Artistry: The specific engraver is unrecorded, but the stylistic school of this pattern reflects a fusion of traditional Burmese iconography with European milling techniques. The obverse typically showcases the majestic peacock, a revered royal emblem of the Konbaung Dynasty, often with intricate detail. The reverse features the denomination and date in elegant Burmese script, usually within an ornate wreath. The precision and symmetry inherent in a milled strike represent a significant advancement over previous indigenous coinage.
Technical/Grading: As a pattern strike, this 1 Kyat coin exhibits exceptional technical qualities. Key high-points include the individual feathers and head of the peacock, and the raised elements of the Burmese script. Patterns are typically struck with considerable force to demonstrate full design potential, often resulting in sharp details, well-defined fields, and a centered strike. Copper patterns can develop attractive, deep toning. Any significant weakness in strike is atypical, suggesting a specific issue, not a series characteristic.