1 Kyat - Pagan Min Copper Pattern

Emissor Myanmar
Ano 1853
Tipo Coin pattern
Valor 1 Kyat
Moeda First kyat (1852-1889)
Composição Copper
Peso
Diâmetro 31 mm
Espessura 3 mm
Formato Round
Técnica Milled
Orientação Medal alignment ↑↑
Gravador(es)
Em circulação até 31 March 1892
Referência(s) KM#Pn9
Descrição do anverso Peacock facing left with full display surrounded by lettering.
Escrita do anverso Burmese
Legenda do anverso တံဆိပ်တော်
(Translation: `Tazeik taw` or `Royal stamp`.)
Descrição do reverso Denomination within wreath surrounded by lettering.
Escrita do reverso Burmese
Legenda do reverso ရတနာပုံနေပြည်တော် ၁ိသုံးဒင်္ဂါး
(Translation: `Yandabon Nepydiaw` - `Mandalay the Royal residence`. `t`tjat thon dinga` - `Use coin as 1 kyat` 1214 Buddhist era, 1852-53 AD.)
Bordo Reeded
Casa da moeda
Tiragem 1214 (1853) - -
ID Numisquare 5807073210
Informações adicionais

Historical Context: The 1853 1 Kyat copper pattern coin emerges from the tumultuous final year of Pagan Min's reign (1846-1853). Marked by the devastating Second Anglo-Burmese War, concluding in 1853 with significant territorial losses, this milled pattern represents a radical departure from traditional cast coinage. It signifies an attempt at monetary modernization, reflecting a desire for a standardized currency system, influenced by British presence, amidst profound political instability and Pagan Min's eventual dethronement.

Artistry: The specific engraver is unrecorded, but the stylistic school of this pattern reflects a fusion of traditional Burmese iconography with European milling techniques. The obverse typically showcases the majestic peacock, a revered royal emblem of the Konbaung Dynasty, often with intricate detail. The reverse features the denomination and date in elegant Burmese script, usually within an ornate wreath. The precision and symmetry inherent in a milled strike represent a significant advancement over previous indigenous coinage.

Technical/Grading: As a pattern strike, this 1 Kyat coin exhibits exceptional technical qualities. Key high-points include the individual feathers and head of the peacock, and the raised elements of the Burmese script. Patterns are typically struck with considerable force to demonstrate full design potential, often resulting in sharp details, well-defined fields, and a centered strike. Copper patterns can develop attractive, deep toning. Any significant weakness in strike is atypical, suggesting a specific issue, not a series characteristic.

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