カタログ
| 発行体 | Myanmar |
|---|---|
| 年号 | 1853 |
| 種類 | Coin pattern |
| 額面 | 1 Kyat |
| 通貨 | First kyat (1852-1889) |
| 材質 | Copper |
| 重量 | |
| 直径 | 31 mm |
| 厚さ | 3 mm |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | 31 March 1892 |
| 参考文献 | KM#Pn9 |
| 表面の説明 | Peacock facing left with full display surrounded by lettering. |
|---|---|
| 表面の文字体系 | Burmese |
| 表面の銘文 |
တံဆိပ်တော် (Translation: `Tazeik taw` or `Royal stamp`.) |
| 裏面の説明 | Denomination within wreath surrounded by lettering. |
| 裏面の文字体系 | Burmese |
| 裏面の銘文 |
ရတနာပုံနေပြည်တော် ၁ိသုံးဒင်္ဂါး (Translation: `Yandabon Nepydiaw` - `Mandalay the Royal residence`. `t`tjat thon dinga` - `Use coin as 1 kyat` 1214 Buddhist era, 1852-53 AD.) |
| 縁 | Reeded |
| 鋳造所 | |
| 鋳造数 |
1214 (1853) - - |
| Numisquare ID | 5807073210 |
| 追加情報 |
Historical Context: The 1853 1 Kyat copper pattern coin emerges from the tumultuous final year of Pagan Min's reign (1846-1853). Marked by the devastating Second Anglo-Burmese War, concluding in 1853 with significant territorial losses, this milled pattern represents a radical departure from traditional cast coinage. It signifies an attempt at monetary modernization, reflecting a desire for a standardized currency system, influenced by British presence, amidst profound political instability and Pagan Min's eventual dethronement.
Artistry: The specific engraver is unrecorded, but the stylistic school of this pattern reflects a fusion of traditional Burmese iconography with European milling techniques. The obverse typically showcases the majestic peacock, a revered royal emblem of the Konbaung Dynasty, often with intricate detail. The reverse features the denomination and date in elegant Burmese script, usually within an ornate wreath. The precision and symmetry inherent in a milled strike represent a significant advancement over previous indigenous coinage.
Technical/Grading: As a pattern strike, this 1 Kyat coin exhibits exceptional technical qualities. Key high-points include the individual feathers and head of the peacock, and the raised elements of the Burmese script. Patterns are typically struck with considerable force to demonstrate full design potential, often resulting in sharp details, well-defined fields, and a centered strike. Copper patterns can develop attractive, deep toning. Any significant weakness in strike is atypical, suggesting a specific issue, not a series characteristic.