Danh mục
| Đơn vị phát hành | Carretto, Marquises of |
|---|---|
| Năm | 1100-1200 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Groschen (0.01) |
| Tiền tệ | |
| Chất liệu | Billon |
| Trọng lượng | 1.29 g |
| Đường kính | 18 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | MIR#409 II#1/2 |
| Mô tả mặt trước | Circular legend between two circles of graining, cross patee. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | MDCARETO |
| Mô tả mặt sau | Circular legend between two circles of graining, HERICN on three lines. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | HE RIC N |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1100-1200) - - |
| ID Numisquare | 2895971070 |
| Thông tin bổ sung |
Historical Context: This 1 Grosso coin originates from the Carretto Marquises, a powerful branch of the Aleramici dynasty, who consolidated feudal power in Liguria and Piedmont during the 12th century (1100-1200). This era saw the fragmentation of imperial authority in Italy and the rise of independent lordships. Issuing a Grosso, a larger silver denomination, underscores the Carretto family's growing economic influence and sovereign rights, marking a significant step beyond earlier small deniers and reflecting increased regional commerce.
Artistry: The engraver of this 12th-century Grosso remains anonymous, typical for the period. The artistry embodies early medieval or Romanesque stylistic traditions, characterized by symbolic rather than naturalistic representation and robust, functional execution. Designs commonly feature a prominent cross, perhaps a patriarchal or ornate variant, sometimes accompanied by a stylized bust or a patron saint. Inscriptions, if present, are usually abbreviated. The overall aesthetic prioritizes clear identification of the issuer over intricate detail.
Technical/Grading: Struck in billon (1.29 gg, 18 mm), this Grosso often displays a darker patina and surface irregularities inherent to its low-silver alloy. Manual striking methods of the 12th century resulted in characteristic variations: irregular planchets, off-center strikes, and uneven metal flow. Full detail on both sides is uncommon. High-points, the first to show wear, typically involve the central elements of the cross or the highest relief points of any effigy. Examples with strong, even strikes and minimal planchet flaws are highly desirable.