1 Grosso

Émetteur Carretto, Marquises of
Année 1100-1200
Type Standard circulation coin
Valeur 1 Groschen (0.01)
Devise
Composition Billon
Poids 1.29 g
Diamètre 18 mm
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) MIR#409 II#1/2
Description de l’avers Circular legend between two circles of graining, cross patee.
Écriture de l’avers Latin
Légende de l’avers MDCARETO
Description du revers Circular legend between two circles of graining, HERICN on three lines.
Écriture du revers Latin
Légende du revers HE RIC N
Tranche
Atelier
Tirage ND (1100-1200) - -
ID Numisquare 2895971070
Informations supplémentaires

Historical Context: This 1 Grosso coin originates from the Carretto Marquises, a powerful branch of the Aleramici dynasty, who consolidated feudal power in Liguria and Piedmont during the 12th century (1100-1200). This era saw the fragmentation of imperial authority in Italy and the rise of independent lordships. Issuing a Grosso, a larger silver denomination, underscores the Carretto family's growing economic influence and sovereign rights, marking a significant step beyond earlier small deniers and reflecting increased regional commerce.

Artistry: The engraver of this 12th-century Grosso remains anonymous, typical for the period. The artistry embodies early medieval or Romanesque stylistic traditions, characterized by symbolic rather than naturalistic representation and robust, functional execution. Designs commonly feature a prominent cross, perhaps a patriarchal or ornate variant, sometimes accompanied by a stylized bust or a patron saint. Inscriptions, if present, are usually abbreviated. The overall aesthetic prioritizes clear identification of the issuer over intricate detail.

Technical/Grading: Struck in billon (1.29 gg, 18 mm), this Grosso often displays a darker patina and surface irregularities inherent to its low-silver alloy. Manual striking methods of the 12th century resulted in characteristic variations: irregular planchets, off-center strikes, and uneven metal flow. Full detail on both sides is uncommon. High-points, the first to show wear, typically involve the central elements of the cross or the highest relief points of any effigy. Examples with strong, even strikes and minimal planchet flaws are highly desirable.

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