1 Grosso

Emissor Carretto, Marquises of
Ano 1100-1200
Tipo Standard circulation coin
Valor 1 Groschen (0.01)
Moeda
Composição Billon
Peso 1.29 g
Diâmetro 18 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) MIR#409 II#1/2
Descrição do anverso Circular legend between two circles of graining, cross patee.
Escrita do anverso Latin
Legenda do anverso MDCARETO
Descrição do reverso Circular legend between two circles of graining, HERICN on three lines.
Escrita do reverso Latin
Legenda do reverso HE RIC N
Bordo
Casa da moeda
Tiragem ND (1100-1200) - -
ID Numisquare 2895971070
Informações adicionais

Historical Context: This 1 Grosso coin originates from the Carretto Marquises, a powerful branch of the Aleramici dynasty, who consolidated feudal power in Liguria and Piedmont during the 12th century (1100-1200). This era saw the fragmentation of imperial authority in Italy and the rise of independent lordships. Issuing a Grosso, a larger silver denomination, underscores the Carretto family's growing economic influence and sovereign rights, marking a significant step beyond earlier small deniers and reflecting increased regional commerce.

Artistry: The engraver of this 12th-century Grosso remains anonymous, typical for the period. The artistry embodies early medieval or Romanesque stylistic traditions, characterized by symbolic rather than naturalistic representation and robust, functional execution. Designs commonly feature a prominent cross, perhaps a patriarchal or ornate variant, sometimes accompanied by a stylized bust or a patron saint. Inscriptions, if present, are usually abbreviated. The overall aesthetic prioritizes clear identification of the issuer over intricate detail.

Technical/Grading: Struck in billon (1.29 gg, 18 mm), this Grosso often displays a darker patina and surface irregularities inherent to its low-silver alloy. Manual striking methods of the 12th century resulted in characteristic variations: irregular planchets, off-center strikes, and uneven metal flow. Full detail on both sides is uncommon. High-points, the first to show wear, typically involve the central elements of the cross or the highest relief points of any effigy. Examples with strong, even strikes and minimal planchet flaws are highly desirable.

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