1 Genovino Ist type

Emitent Genoa, Republic of (1139-1797)
Rok 1270-1305
Typ Standard circulation coin
Nominał 1 Genovino = 20 Soldi = 1 Lira
Waluta Genovino (1139-1528)
Skład Gold (.999)
Waga 3.53 g
Średnica 20 mm
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) MIR#5, MEC XII#236, MEC XII#237, Fr#351
Opis awersu Gateway within inner reeded circle. Mint master`s symbol at end of legend.
Pismo awersu Latin (uncial)
Legenda awersu ✠ ⸰ I ⸰ A ⸰ N ⸰V ⸰ A ✿
(Translation: Genoa)
Opis rewersu Cross pattée within inner reeded circle.
Pismo rewersu Latin (uncial)
Legenda rewersu ✠ CVNRADVS ⸰ REX
(Translation: Conrad, King)
Krawędź
Mennica
Nakład ND (1270-1289) - 3 small rings in a triangular shape -
ND (1270-1289) - 5-pointed star -
ND (1270-1289) - 6-pointed star -
ND (1270-1289) - Clover -
ND (1270-1289) - Letter `P` (at beginning or end of legend) -
ND (1270-1289) - Rosette -
ND (1270-1289) - Small vase (with or without plant) -
ND (1270-1289) - Sun (very rare) -
ND (1270-1289) - without master`s symbol -
ND (1300-1305) - Shell -
ID Numisquare 7671451810
Dodatkowe informacje

Historical Context: The 1 Genovino Ist type, struck by the Republic of Genoa between 1270 and 1305, signifies a crucial period in medieval European monetary history. Genoa, a dominant maritime power, wielded a vast trade network across the Mediterranean. The Genovino, alongside the Florentine Florin, served as a cornerstone of international commerce, reflecting Genoa's economic might. Its introduction marked a pivotal return to gold coinage in Western Europe, facilitating complex financial transactions.

Artistry: The Genovino's design, typical of late medieval numismatic iconography, lacks an attributed engraver. The obverse features the Castello di Genova, a symbolic representation of the Republic's strength, encircled by "IANUA". The reverse depicts Saint John the Baptist, Genoa's patron saint, standing facing, holding a staff, with "S. IOHANNES B". This stylistic choice emphasizes religious devotion and civic identity through clear, symbolic imagery characteristic of early Gothic numismatic art.

Technical/Grading: Struck in nearly pure gold (.999 fine) at 3.53 grams and 20 mm, the Genovino demonstrates remarkable metallic purity for its era. Key high-points for grading include the castle's battlements and central tower on the obverse, and St. John's facial features, hands, and drapery folds on the reverse. Due to medieval minting, strike variations, like off-centering or legend weakness, are common. Well-struck examples with full detail are highly valued.

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