Каталог
| Эмитент | Congo Free State (1885-1908) |
|---|---|
| Год | 1896 |
| Тип | Coin pattern |
| Номинал | 1 Franc |
| Валюта | Franc (1887-1960) |
| Состав | Gold (.900) |
| Вес | 7.3 g |
| Диаметр | 23 mm |
| Толщина | |
| Форма | Round |
| Техника | Milled |
| Ориентация | Coin alignment ↑↓ |
| Гравёр(ы) | Émile Fernand-Dubois |
| В обращении до | |
| Каталожные номера | Delmonte G#1320 |
| Описание аверса | Draped bust left |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | LEOP II R D BELG SOUV DE L`ETAT INDEP DU CONGO FERNAN DUBOIS |
| Описание реверса | Crowned coat-of-arms within wreath |
| Письменность реверса | Latin |
| Надписи реверса | 1 FRANC 1896 |
| Гурт | Reeded |
| Монетный двор | |
| Тираж |
1896 - Matte Proof - |
| ID Numisquare | 5743318510 |
| Дополнительная информация |
Historical Context: The 1896 1 Franc Léopold II gold pattern coin emerges from the controversial Congo Free State era, a territory personally owned and governed by King Léopold II of Belgium (1885-1908). This period was marked by brutal exploitation and human rights abuses. Issuing a gold pattern, especially of this fineness, suggests Léopold II's ambition to establish a prestigious monetary system, projecting economic stability for his private domain, despite lacking widespread gold circulation.
Artistry: While the specific engraver is undocumented, the obverse design adheres to prevailing European academic realism of the late 19th century. It features a dignified, mature portrait of Léopold II, facing right, in the style of a leading Belgian medallist. The reverse typically presents "1 FRANC" and the date "1896" encircled by "ETAT INDEPENDANT DU CONGO," often with a national emblem, rendered with classical precision and balance.
Technical/Grading: Struck in .900 fine gold, weighing 7.3 grams and measuring 23 millimeters, this pattern exemplifies exceptional minting quality. High-points susceptible to wear on the obverse include Léopold II's hair, beard, and highest cheekbone relief. On the reverse, central design elements and raised lettering are scrutinized. As a pattern, specimens typically exhibit a superior strike, often with proof-like fields and sharp, well-defined details, reflecting meticulous craftsmanship for trial or presentation.