Catálogo
| Emissor | Congo Free State (1885-1908) |
|---|---|
| Ano | 1896 |
| Tipo | Coin pattern |
| Valor | 1 Franc |
| Moeda | Franc (1887-1960) |
| Composição | Gold (.900) |
| Peso | 7.3 g |
| Diâmetro | 23 mm |
| Espessura | |
| Formato | Round |
| Técnica | Milled |
| Orientação | Coin alignment ↑↓ |
| Gravador(es) | Émile Fernand-Dubois |
| Em circulação até | |
| Referência(s) | Delmonte G#1320 |
| Descrição do anverso | Draped bust left |
|---|---|
| Escrita do anverso | Latin |
| Legenda do anverso | LEOP II R D BELG SOUV DE L`ETAT INDEP DU CONGO FERNAN DUBOIS |
| Descrição do reverso | Crowned coat-of-arms within wreath |
| Escrita do reverso | Latin |
| Legenda do reverso | 1 FRANC 1896 |
| Bordo | Reeded |
| Casa da moeda | |
| Tiragem |
1896 - Matte Proof - |
| ID Numisquare | 5743318510 |
| Informações adicionais |
Historical Context: The 1896 1 Franc Léopold II gold pattern coin emerges from the controversial Congo Free State era, a territory personally owned and governed by King Léopold II of Belgium (1885-1908). This period was marked by brutal exploitation and human rights abuses. Issuing a gold pattern, especially of this fineness, suggests Léopold II's ambition to establish a prestigious monetary system, projecting economic stability for his private domain, despite lacking widespread gold circulation.
Artistry: While the specific engraver is undocumented, the obverse design adheres to prevailing European academic realism of the late 19th century. It features a dignified, mature portrait of Léopold II, facing right, in the style of a leading Belgian medallist. The reverse typically presents "1 FRANC" and the date "1896" encircled by "ETAT INDEPENDANT DU CONGO," often with a national emblem, rendered with classical precision and balance.
Technical/Grading: Struck in .900 fine gold, weighing 7.3 grams and measuring 23 millimeters, this pattern exemplifies exceptional minting quality. High-points susceptible to wear on the obverse include Léopold II's hair, beard, and highest cheekbone relief. On the reverse, central design elements and raised lettering are scrutinized. As a pattern, specimens typically exhibit a superior strike, often with proof-like fields and sharp, well-defined details, reflecting meticulous craftsmanship for trial or presentation.