カタログ
| 発行体 | Western African States |
|---|---|
| 年号 | 1961 |
| 種類 | Coin pattern |
| 額面 | 1 Franc CFA (1 XOF) |
| 通貨 | CFA franc (1958-date) |
| 材質 | Aluminium |
| 重量 | 1.3 g |
| 直径 | 23 mm |
| 厚さ | 1.59 mm |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | Gabriel Bernard, Lucien Bazor |
| 流通終了年 | |
| 参考文献 | KM#E3 |
| 表面の説明 | Denomination |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
1 F. BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST (Translation: Central Bank of [the] West African States) |
| 裏面の説明 | Gazelle |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | 1961 |
| 縁 | Smooth |
| 鋳造所 |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| 鋳造数 |
1961 - - |
| Numisquare ID | 7621026070 |
| 追加情報 |
Historical Context: The 1961 1 Franc CFA Essai coin for the Western African States emerges from a pivotal period following the independence of numerous French colonies in 1960. While newly sovereign, these nations opted to retain the Communauté Financière Africaine (CFA) franc, symbolizing continued economic ties with France and regional stability. This Essai, or trial strike, represents a critical phase in defining the post-colonial monetary landscape, testing designs and specifications for a currency that would serve a collective of independent states, rather than a colonial federation.
Artistry: Although the specific engraver for this Essai is not widely documented, the design adheres to the neoclassical influences prevalent in French numismatic tradition, adapted for an African context. Typical CFA franc designs of this era often feature allegorical figures symbolizing the continent's agricultural bounty or progress, alongside national symbols. The Essai likely presented a refined version of such motifs, aiming for clarity and dignity on the small aluminium flan, intended to resonate with the diverse populations of the Western African States.
Technical/Grading: Struck in lightweight aluminium, measuring 23 mmmm and weighing 1.3 gg, this Essai would typically exhibit a sharp, precise strike, characteristic of trial pieces. Key high-points for wear or strike weakness would depend on the specific design, but commonly include the highest relief areas of any allegorical bust (hair, cheekbones) or the intricate details of agricultural symbols (grain tips, leaf veins). Collectors should look for full detail on these areas, even strike pressure, and an absence of planchet imperfections, which are often meticulously controlled in Essai productions.