1 Franc CFA Essai

Emisor Western African States
Año 1961
Tipo Coin pattern
Valor 1 Franc CFA (1 XOF)
Moneda CFA franc (1958-date)
Composición Aluminium
Peso 1.3 g
Diámetro 23 mm
Grosor 1.59 mm
Forma Round
Técnica Milled
Orientación Coin alignment ↑↓
Grabador(es) Gabriel Bernard, Lucien Bazor
En circulación hasta
Referencia(s) KM#E3
Descripción del anverso Denomination
Escritura del anverso Latin
Leyenda del anverso 1 F. BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST
(Translation: Central Bank of [the] West African States)
Descripción del reverso Gazelle
Escritura del reverso Latin
Leyenda del reverso 1961
Canto Smooth
Casa de moneda Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirada 1961 - -
ID de Numisquare 7621026070
Información adicional

Historical Context: The 1961 1 Franc CFA Essai coin for the Western African States emerges from a pivotal period following the independence of numerous French colonies in 1960. While newly sovereign, these nations opted to retain the Communauté Financière Africaine (CFA) franc, symbolizing continued economic ties with France and regional stability. This Essai, or trial strike, represents a critical phase in defining the post-colonial monetary landscape, testing designs and specifications for a currency that would serve a collective of independent states, rather than a colonial federation.

Artistry: Although the specific engraver for this Essai is not widely documented, the design adheres to the neoclassical influences prevalent in French numismatic tradition, adapted for an African context. Typical CFA franc designs of this era often feature allegorical figures symbolizing the continent's agricultural bounty or progress, alongside national symbols. The Essai likely presented a refined version of such motifs, aiming for clarity and dignity on the small aluminium flan, intended to resonate with the diverse populations of the Western African States.

Technical/Grading: Struck in lightweight aluminium, measuring 23 mmmm and weighing 1.3 gg, this Essai would typically exhibit a sharp, precise strike, characteristic of trial pieces. Key high-points for wear or strike weakness would depend on the specific design, but commonly include the highest relief areas of any allegorical bust (hair, cheekbones) or the intricate details of agricultural symbols (grain tips, leaf veins). Collectors should look for full detail on these areas, even strike pressure, and an absence of planchet imperfections, which are often meticulously controlled in Essai productions.

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