1 Franc CFA Essai

Émetteur Western African States
Année 1961
Type Coin pattern
Valeur 1 Franc CFA (1 XOF)
Devise CFA franc (1958-date)
Composition Aluminium
Poids 1.3 g
Diamètre 23 mm
Épaisseur 1.59 mm
Forme Round
Technique Milled
Orientation Coin alignment ↑↓
Graveur(s) Gabriel Bernard, Lucien Bazor
En circulation jusqu’à
Référence(s) KM#E3
Description de l’avers Denomination
Écriture de l’avers Latin
Légende de l’avers 1 F. BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST
(Translation: Central Bank of [the] West African States)
Description du revers Gazelle
Écriture du revers Latin
Légende du revers 1961
Tranche Smooth
Atelier Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirage 1961 - -
ID Numisquare 7621026070
Informations supplémentaires

Historical Context: The 1961 1 Franc CFA Essai coin for the Western African States emerges from a pivotal period following the independence of numerous French colonies in 1960. While newly sovereign, these nations opted to retain the Communauté Financière Africaine (CFA) franc, symbolizing continued economic ties with France and regional stability. This Essai, or trial strike, represents a critical phase in defining the post-colonial monetary landscape, testing designs and specifications for a currency that would serve a collective of independent states, rather than a colonial federation.

Artistry: Although the specific engraver for this Essai is not widely documented, the design adheres to the neoclassical influences prevalent in French numismatic tradition, adapted for an African context. Typical CFA franc designs of this era often feature allegorical figures symbolizing the continent's agricultural bounty or progress, alongside national symbols. The Essai likely presented a refined version of such motifs, aiming for clarity and dignity on the small aluminium flan, intended to resonate with the diverse populations of the Western African States.

Technical/Grading: Struck in lightweight aluminium, measuring 23 mmmm and weighing 1.3 gg, this Essai would typically exhibit a sharp, precise strike, characteristic of trial pieces. Key high-points for wear or strike weakness would depend on the specific design, but commonly include the highest relief areas of any allegorical bust (hair, cheekbones) or the intricate details of agricultural symbols (grain tips, leaf veins). Collectors should look for full detail on these areas, even strike pressure, and an absence of planchet imperfections, which are often meticulously controlled in Essai productions.

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