カタログ
| 発行体 | Dulcigno, City of |
|---|---|
| 年号 | 1301-1401 |
| 種類 | Standard circulation coin |
| 額面 | 1 Follaro |
| 通貨 | |
| 材質 | Bronze |
| 重量 | 0.77 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Dobrinic#1.1.3.1 |
| 表面の説明 | Mary sitting on throne while holding child, all with letter to the left. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | M |
| 裏面の説明 | Lamb of God walking left while facing right, all surrounded by legend. |
| 裏面の文字体系 | |
| 裏面の銘文 | X · AGNVS : DEI : M : D : DVLCI NO |
| 縁 | Smooth. |
| 鋳造所 | |
| 鋳造数 |
ND (1301-1401) - - |
| Numisquare ID | 3341345930 |
| 追加情報 |
Historical Context: This anonymous 1 Follaro coin originates from the city of Dulcigno (modern Ulcinj, Montenegro) during the period of 1301-1401. This era represents a complex and often turbulent time for the Adriatic port city, which frequently found itself at the crossroads of competing powers, including the Serbian Empire, the Venetian Republic, and local Albanian lordships. The issuance of an anonymous coinage underscores a period of civic autonomy or practical necessity, emphasizing the city's identity and economic self-sufficiency rather than a specific overlord. It served as essential small change for daily commerce in a vital maritime trading hub.
Artistry: The absence of an identified engraver is characteristic of many anonymous medieval civic coinages, particularly for lower denominations. Stylistically, this Follaro would conform to a provincial late medieval aesthetic, likely influenced by Byzantine or Venetian numismatic traditions but executed with a more rudimentary and utilitarian approach. While the specific design details are not provided, such coins typically feature simple yet potent symbols, such as a cross, a civic monogram, or perhaps an abstract representation of the city, serving as clear identifiers in an era where literacy was not universal.
Technical/Grading: Weighing a mere 0.77 grams, this bronze Follaro was struck on a diminutive, often irregularly shaped planchet. High-points, such as the central elements of any symbolic device or legend, are frequently the first areas to exhibit weakness or incomplete striking due to the manual coining process. Technical strike quality is typically inconsistent, characterized by off-center strikes, variable relief, and often, evidence of hurried production. The small diameter (mm) would further exacerbate these issues, making a fully detailed and evenly struck example a rarity for this type.