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| Emittent | Republic of China |
|---|---|
| Jahr | 1916 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Milled |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Central round hole surrounded by Chinese characters arranged in the field, with the primary legend reading the denomination and date. The inscriptions are enclosed within a decorative beaded or rope-like inner border, with additional characters forming concentric registers around the central perforation. The overall layout presents the text in a formal, symmetrical arrangement characteristic of Republican-era Chinese coinage patterns. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | 年五國民華中 分壹 圓一當枚百一每 (Translation: Year 5 of the Republic of China 1 Fen 100 pieces in 1 Yuan) |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Pattern coinage from the early Republic is rarely straightforward, and this piece is no exception. The inclusion of "Giorgi" — almost certainly a reference to the Italian medalist Luigi Giorgi, who worked with the Chinese government on coin design and die production during the 1910s — places this squarely within the turbulent early years of Yuan Shikai's presidency, when the Republic was actively contracting foreign expertise to modernize its mint output. Giorgi's involvement typically indicates a piece produced for official evaluation rather than circulation trials.
1916 was Yuan Shikai's final year; he died in June having abandoned the republic entirely for a failed imperial restoration. Whether this pattern advanced beyond evaluation is unrecorded.