See full images — free registration
Continue with Google — it's free or register with email

1 As

Issuer Uncertain city of Central Italy
Year 301 BC - 201 BC
Type Standard circulation coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Bust of a female deity facing right, wearing a crested Corinthian-style helmet; the head is rendered in bold, archaic relief characteristic of Central Italian aes grave coinage. The facial features are summarily modeled, with the helmet visor and cheek-guard clearly delineated. The design is contained within a plain incuse field typical of cast bronze issues of this period. No legend or inscription is present.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Bare male head facing right, likely representing a deity or heroic figure, wearing a plain diadem or fillet bound around the hair. The head is rendered in high, rounded relief consistent with the cast technique employed for Central Italian aes grave coinage of the third to second century BC. The facial features are boldly if summarily executed, with the hair rendered in schematic locks above the diadem. No legend or inscription is present in the flat, unadorned field.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

Heavy cast bronze of this weight places it squarely within the earliest phase of Roman-influenced aes grave production in Central Italy, before the progressive weight reductions of the Second Punic War systematically drove the as down from the Etrusco-Campanian standard. The issuing city remains unidentified with certainty — Haeberlin's attribution has been contested without resolution, and the piece continues to circulate through scholarship under a deliberately vague regional tag.