1/8 Genovino 'Ottavino'

发行方 Genoa, Republic of (1139-1797)
年份 1270-1300
类型 Standard circulation coin
面值 Ottavino (1/8 Gold Genovino) (1/8)
货币 Genovino (1139-1528)
材质 Gold
重量 0.43 g
直径 10 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 MIR#9, MEC XII#239
正面描述 Cross pattée with a letter in each corner spelling the city name in retrograde order.
正面文字 Latin (uncial)
正面铭文 I A N V
(Translation: Genoa)
背面描述 Gateway dividing letters of king`s name.
背面文字 Latin (uncial)
背面铭文 C V X
(Translation: Conrad King)
边缘 Smooth
铸币厂
铸造量 ND (1270-1300) - -
Numisquare 编号 6493792710
附加信息

Historical Context: The 1/8 Genovino 'Ottavino' emerges from the Republic of Genoa's zenith between 1270 and 1300, a period of formidable maritime and commercial dominance. As a direct competitor to Venice and Florence, Genoa introduced its own gold coinage, the Genovino, in 1252, asserting its economic parity. The 'Ottavino', a fractional denomination, underscored the necessity for smaller gold units to facilitate the vast array of daily transactions within its bustling Mediterranean trade network, reflecting the republic's sophisticated monetary system and widespread prosperity.

Artistry: Engraved by anonymous master minters, typical of medieval civic issues, the 'Ottavino' exemplifies the early Gothic stylistic school prevalent in Italian city-states. Its design faithfully miniaturizes the iconic Genovino motifs: a stylized castle, representing Genoa's formidable fortifications and sovereign power, on one side, and the revered head of Saint John the Baptist, the city's patron saint, on the other. This dual imagery symbolically intertwines Genoa's civic identity with its deep religious heritage.

Technical/Grading: Due to its diminutive size (0.43 grams, 10 mm), the 1/8 Genovino presents unique striking challenges. High-points for preservation and grading include the fine details of the castle’s battlements and the delicate features of Saint John the Baptist’s visage. Typical strike qualities often reveal areas of softness, particularly on the highest relief elements, and occasional off-centering. A fully struck example, exhibiting clear legends and well-defined central motifs on its small gold flan, is highly prized.

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