1/8 Genovino 'Ottavino'

Emisor Genoa, Republic of (1139-1797)
Año 1270-1300
Tipo Standard circulation coin
Valor Ottavino (1/8 Gold Genovino) (1/8)
Moneda Genovino (1139-1528)
Composición Gold
Peso 0.43 g
Diámetro 10 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) MIR#9, MEC XII#239
Descripción del anverso Cross pattée with a letter in each corner spelling the city name in retrograde order.
Escritura del anverso Latin (uncial)
Leyenda del anverso I A N V
(Translation: Genoa)
Descripción del reverso Gateway dividing letters of king`s name.
Escritura del reverso Latin (uncial)
Leyenda del reverso C V X
(Translation: Conrad King)
Canto Smooth
Casa de moneda
Tirada ND (1270-1300) - -
ID de Numisquare 6493792710
Información adicional

Historical Context: The 1/8 Genovino 'Ottavino' emerges from the Republic of Genoa's zenith between 1270 and 1300, a period of formidable maritime and commercial dominance. As a direct competitor to Venice and Florence, Genoa introduced its own gold coinage, the Genovino, in 1252, asserting its economic parity. The 'Ottavino', a fractional denomination, underscored the necessity for smaller gold units to facilitate the vast array of daily transactions within its bustling Mediterranean trade network, reflecting the republic's sophisticated monetary system and widespread prosperity.

Artistry: Engraved by anonymous master minters, typical of medieval civic issues, the 'Ottavino' exemplifies the early Gothic stylistic school prevalent in Italian city-states. Its design faithfully miniaturizes the iconic Genovino motifs: a stylized castle, representing Genoa's formidable fortifications and sovereign power, on one side, and the revered head of Saint John the Baptist, the city's patron saint, on the other. This dual imagery symbolically intertwines Genoa's civic identity with its deep religious heritage.

Technical/Grading: Due to its diminutive size (0.43 grams, 10 mm), the 1/8 Genovino presents unique striking challenges. High-points for preservation and grading include the fine details of the castle’s battlements and the delicate features of Saint John the Baptist’s visage. Typical strike qualities often reveal areas of softness, particularly on the highest relief elements, and occasional off-centering. A fully struck example, exhibiting clear legends and well-defined central motifs on its small gold flan, is highly prized.

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