1/8 Genovino 'Ottavino'

Issuer Genoa, Republic of (1139-1797)
Year 1270-1300
Type Standard circulation coin
Value Ottavino (1/8 Gold Genovino) (1/8)
Currency Genovino (1139-1528)
Composition Gold
Weight 0.43 g
Diameter 10 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation Variable alignment ↺
Engraver(s)
In circulation to
Reference(s) MIR#9, MEC XII#239
Obverse description Cross pattée with a letter in each corner spelling the city name in retrograde order.
Obverse script Latin (uncial)
Obverse lettering I A N V
(Translation: Genoa)
Reverse description Gateway dividing letters of king`s name.
Reverse script Latin (uncial)
Reverse lettering C V X
(Translation: Conrad King)
Edge Smooth
Mint
Mintage ND (1270-1300) - -
Numisquare ID 6493792710
Additional information

Historical Context: The 1/8 Genovino 'Ottavino' emerges from the Republic of Genoa's zenith between 1270 and 1300, a period of formidable maritime and commercial dominance. As a direct competitor to Venice and Florence, Genoa introduced its own gold coinage, the Genovino, in 1252, asserting its economic parity. The 'Ottavino', a fractional denomination, underscored the necessity for smaller gold units to facilitate the vast array of daily transactions within its bustling Mediterranean trade network, reflecting the republic's sophisticated monetary system and widespread prosperity.

Artistry: Engraved by anonymous master minters, typical of medieval civic issues, the 'Ottavino' exemplifies the early Gothic stylistic school prevalent in Italian city-states. Its design faithfully miniaturizes the iconic Genovino motifs: a stylized castle, representing Genoa's formidable fortifications and sovereign power, on one side, and the revered head of Saint John the Baptist, the city's patron saint, on the other. This dual imagery symbolically intertwines Genoa's civic identity with its deep religious heritage.

Technical/Grading: Due to its diminutive size (0.43 grams, 10 mm), the 1/8 Genovino presents unique striking challenges. High-points for preservation and grading include the fine details of the castle’s battlements and the delicate features of Saint John the Baptist’s visage. Typical strike qualities often reveal areas of softness, particularly on the highest relief elements, and occasional off-centering. A fully struck example, exhibiting clear legends and well-defined central motifs on its small gold flan, is highly prized.

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