1/4 Dirham / 25 Fils - Hussein Pattern

发行方 Jordan
年份 1968
类型 Coin pattern
面值 25 Fils (0.025 JOD)
货币 Dinar (1949-date)
材质 Gold
重量
直径
厚度
形状 Round
制作工艺 Milled
方向 Medal alignment ↑↑
雕刻师 Philip Nathan
流通至
参考资料 KM#Pn4
正面描述 Bust of King Hussein bin Talal facing right
正面文字 Arabic
正面铭文 الحُسين بن طَلال ملك المملكة الأُردنيَّة الهاشميَّة
(Translation: Hussein bin Talal King of the Hashemite Kingdom of Jordan)
背面描述
背面文字 Arabic, Latin
背面铭文 ١٣٨٧هـ ١٩٦٨مـ ربع درهم ٢٥ فلساً TWENTY FIVE FILS THE HASHEMITE KINGDOM OF JORDAN
(Translation: AD1968 AH1387 1/4 Dirham 25 Fils The Hashemite Kingdom of Jordan)
边缘 Reeded
铸币厂
铸造量 1387 (1968) - ١٣٨٧هـ ١٩٦٨مـ Specimen Sets only (KM#SS4) - 50
Numisquare 编号 6922778650
附加信息

Historical Context: The 1968 1/4 Dirham / 25 Fils Hussein Pattern coin originates from a critical juncture in Jordanian history under King Hussein bin Talal. Post-1967 Six-Day War, Jordan navigated significant geopolitical and economic turbulence. Issuing a gold pattern coin then reflects a forward-looking intent for currency reform or a desire to project stability through new numismatic designs. This pattern, named for King Hussein, likely proposed a coinage system, exploring a fractional dirham alongside the existing fils, though not adopted for circulation.

Artistry: While the engraver remains undocumented, the coin's artistry combines traditional Islamic aesthetics with modern numismatic principles. The obverse likely features a dignified, often profile, portrait of King Hussein, encircled by elegant Arabic calligraphy detailing his regnal titles and year. The reverse precisely displays the dual denomination, "1/4 Dirham" and "25 Fils," alongside "Jordan" and the 1968 date. The stylistic school emphasizes clarity, balance, and regal symbolism, characteristic of Hashemite Kingdom coinage.

Technical/Grading: As a pattern, this gold issue was struck with exceptional care, often exhibiting proof-like qualities. Key high-points for strike assessment include the highest relief areas of King Hussein's portrait—cheekbone, ear, and headwear details—and the intricate flourishes of Arabic calligraphy. A well-struck example shows full, crisp detail in these areas. Fields are typically highly reflective, contrasting with frosted or satin devices, indicative of a meticulous strike intended to fully showcase the proposed design.

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