目录
| 发行方 | Jordan |
|---|---|
| 年份 | 1968 |
| 类型 | Coin pattern |
| 面值 | 25 Fils (0.025 JOD) |
| 货币 | Dinar (1949-date) |
| 材质 | Gold |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Philip Nathan |
| 流通至 | |
| 参考资料 | KM#Pn4 |
| 正面描述 | Bust of King Hussein bin Talal facing right |
|---|---|
| 正面文字 | Arabic |
| 正面铭文 |
الحُسين بن طَلال ملك المملكة الأُردنيَّة الهاشميَّة (Translation: Hussein bin Talal King of the Hashemite Kingdom of Jordan) |
| 背面描述 | |
| 背面文字 | Arabic, Latin |
| 背面铭文 |
١٣٨٧هـ ١٩٦٨مـ ربع درهم ٢٥ فلساً TWENTY FIVE FILS THE HASHEMITE KINGDOM OF JORDAN (Translation: AD1968 AH1387 1/4 Dirham 25 Fils The Hashemite Kingdom of Jordan) |
| 边缘 | Reeded |
| 铸币厂 | |
| 铸造量 |
1387 (1968) - ١٣٨٧هـ ١٩٦٨مـ Specimen Sets only (KM#SS4) - 50 |
| Numisquare 编号 | 6922778650 |
| 附加信息 |
Historical Context: The 1968 1/4 Dirham / 25 Fils Hussein Pattern coin originates from a critical juncture in Jordanian history under King Hussein bin Talal. Post-1967 Six-Day War, Jordan navigated significant geopolitical and economic turbulence. Issuing a gold pattern coin then reflects a forward-looking intent for currency reform or a desire to project stability through new numismatic designs. This pattern, named for King Hussein, likely proposed a coinage system, exploring a fractional dirham alongside the existing fils, though not adopted for circulation.
Artistry: While the engraver remains undocumented, the coin's artistry combines traditional Islamic aesthetics with modern numismatic principles. The obverse likely features a dignified, often profile, portrait of King Hussein, encircled by elegant Arabic calligraphy detailing his regnal titles and year. The reverse precisely displays the dual denomination, "1/4 Dirham" and "25 Fils," alongside "Jordan" and the 1968 date. The stylistic school emphasizes clarity, balance, and regal symbolism, characteristic of Hashemite Kingdom coinage.
Technical/Grading: As a pattern, this gold issue was struck with exceptional care, often exhibiting proof-like qualities. Key high-points for strike assessment include the highest relief areas of King Hussein's portrait—cheekbone, ear, and headwear details—and the intricate flourishes of Arabic calligraphy. A well-struck example shows full, crisp detail in these areas. Fields are typically highly reflective, contrasting with frosted or satin devices, indicative of a meticulous strike intended to fully showcase the proposed design.