1/4 Dirham / 25 Fils - Hussein Pattern

Issuer Jordan
Year 1968
Type Coin pattern
Value 25 Fils (0.025 JOD)
Currency Dinar (1949-date)
Composition Gold
Weight
Diameter
Thickness
Shape Round
Technique Milled
Orientation Medal alignment ↑↑
Engraver(s) Philip Nathan
In circulation to
Reference(s) KM#Pn4
Obverse description Bust of King Hussein bin Talal facing right
Obverse script Arabic
Obverse lettering الحُسين بن طَلال ملك المملكة الأُردنيَّة الهاشميَّة
(Translation: Hussein bin Talal King of the Hashemite Kingdom of Jordan)
Reverse description
Reverse script Arabic, Latin
Reverse lettering ١٣٨٧هـ ١٩٦٨مـ ربع درهم ٢٥ فلساً TWENTY FIVE FILS THE HASHEMITE KINGDOM OF JORDAN
(Translation: AD1968 AH1387 1/4 Dirham 25 Fils The Hashemite Kingdom of Jordan)
Edge Reeded
Mint
Mintage 1387 (1968) - ١٣٨٧هـ ١٩٦٨مـ Specimen Sets only (KM#SS4) - 50
Numisquare ID 6922778650
Additional information

Historical Context: The 1968 1/4 Dirham / 25 Fils Hussein Pattern coin originates from a critical juncture in Jordanian history under King Hussein bin Talal. Post-1967 Six-Day War, Jordan navigated significant geopolitical and economic turbulence. Issuing a gold pattern coin then reflects a forward-looking intent for currency reform or a desire to project stability through new numismatic designs. This pattern, named for King Hussein, likely proposed a coinage system, exploring a fractional dirham alongside the existing fils, though not adopted for circulation.

Artistry: While the engraver remains undocumented, the coin's artistry combines traditional Islamic aesthetics with modern numismatic principles. The obverse likely features a dignified, often profile, portrait of King Hussein, encircled by elegant Arabic calligraphy detailing his regnal titles and year. The reverse precisely displays the dual denomination, "1/4 Dirham" and "25 Fils," alongside "Jordan" and the 1968 date. The stylistic school emphasizes clarity, balance, and regal symbolism, characteristic of Hashemite Kingdom coinage.

Technical/Grading: As a pattern, this gold issue was struck with exceptional care, often exhibiting proof-like qualities. Key high-points for strike assessment include the highest relief areas of King Hussein's portrait—cheekbone, ear, and headwear details—and the intricate flourishes of Arabic calligraphy. A well-struck example shows full, crisp detail in these areas. Fields are typically highly reflective, contrasting with frosted or satin devices, indicative of a meticulous strike intended to fully showcase the proposed design.

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