1/4 Dirham / 25 Fils - Hussein Pattern

Emittent Jordan
Jahr 1968
Typ Coin pattern
Nennwert 25 Fils (0.025 JOD)
Währung Dinar (1949-date)
Material Gold
Gewicht
Durchmesser
Dicke
Form Round
Prägetechnik Milled
Ausrichtung Medal alignment ↑↑
Stempelschneider Philip Nathan
Im Umlauf bis
Referenz(en) KM#Pn4
Aversbeschreibung Bust of King Hussein bin Talal facing right
Aversschrift Arabic
Averslegende الحُسين بن طَلال ملك المملكة الأُردنيَّة الهاشميَّة
(Translation: Hussein bin Talal King of the Hashemite Kingdom of Jordan)
Reversbeschreibung
Reversschrift Arabic, Latin
Reverslegende ١٣٨٧هـ ١٩٦٨مـ ربع درهم ٢٥ فلساً TWENTY FIVE FILS THE HASHEMITE KINGDOM OF JORDAN
(Translation: AD1968 AH1387 1/4 Dirham 25 Fils The Hashemite Kingdom of Jordan)
Rand Reeded
Prägestätte
Auflage 1387 (1968) - ١٣٨٧هـ ١٩٦٨مـ Specimen Sets only (KM#SS4) - 50
Numisquare-ID 6922778650
Zusätzliche Informationen

Historical Context: The 1968 1/4 Dirham / 25 Fils Hussein Pattern coin originates from a critical juncture in Jordanian history under King Hussein bin Talal. Post-1967 Six-Day War, Jordan navigated significant geopolitical and economic turbulence. Issuing a gold pattern coin then reflects a forward-looking intent for currency reform or a desire to project stability through new numismatic designs. This pattern, named for King Hussein, likely proposed a coinage system, exploring a fractional dirham alongside the existing fils, though not adopted for circulation.

Artistry: While the engraver remains undocumented, the coin's artistry combines traditional Islamic aesthetics with modern numismatic principles. The obverse likely features a dignified, often profile, portrait of King Hussein, encircled by elegant Arabic calligraphy detailing his regnal titles and year. The reverse precisely displays the dual denomination, "1/4 Dirham" and "25 Fils," alongside "Jordan" and the 1968 date. The stylistic school emphasizes clarity, balance, and regal symbolism, characteristic of Hashemite Kingdom coinage.

Technical/Grading: As a pattern, this gold issue was struck with exceptional care, often exhibiting proof-like qualities. Key high-points for strike assessment include the highest relief areas of King Hussein's portrait—cheekbone, ear, and headwear details—and the intricate flourishes of Arabic calligraphy. A well-struck example shows full, crisp detail in these areas. Fields are typically highly reflective, contrasting with frosted or satin devices, indicative of a meticulous strike intended to fully showcase the proposed design.

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