目录
| 发行方 | Ghana |
|---|---|
| 年份 | 1958 |
| 类型 | Standard circulation coin |
| 面值 | 1/2 Penny (1⁄480) |
| 货币 | Pound (1958-1965) |
| 材质 | Bronze (95.5% Copper, 3% Tin, 1.5% Zinc) |
| 重量 | 2.83 g |
| 直径 | 21 mm |
| 厚度 | 1.24 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Obverse: P.K.K. Quaidoo Reverse: Paul Vincze |
| 流通至 | 17 September 1966 |
| 参考资料 | KM#1 |
| 正面描述 | Star and value below date |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | GHANA 19 58 HALF PENNY |
| 背面描述 | Bust of Kwame Nkrumah facing right |
| 背面文字 | Latin |
| 背面铭文 |
CIVITATIS GHANIENSIS CONDITOR P.V. KWAME NKRUMAH (Translation: Kwame Nkrumah, the Founder of the State of Ghana) |
| 边缘 | Smooth |
| 铸币厂 | |
| 铸造量 |
1958 - - 32 200 000 1958 - Proof - 20 000 |
| Numisquare 编号 | 3651130330 |
| 附加信息 |
Historical Context: Ghana's 1958 1/2 Penny is profoundly significant as the inaugural coinage of the newly independent nation. After gaining independence from British rule on March 6, 1957, under Prime Minister Kwame Nkrumah, Ghana established its distinct national identity. This coin, featuring Queen Elizabeth II as Head of the Commonwealth, marked a crucial transition from British West African currency to a sovereign Ghanaian monetary system, symbolizing the nation's economic autonomy and self-determination.
Artistry: Artistically, the obverse features the iconic first coinage portrait of Queen Elizabeth II by Mary Gillick, depicting a youthful, laureate bust, characteristic of post-war Commonwealth numismatic tradition. The reverse, likely by a Royal Mint engraver, presents a concise national motif: the denomination "1/2 PENNY" and date "1958," surmounted by the prominent five-pointed "Star of Ghana." This star symbolizes African freedom, balancing imperial legacy with emergent national identity.
Technical/Grading: Struck in bronze (95.5% Copper, 3% Tin, 1.5% Zinc), weighing 2.83 grams and measuring 21 millimeters, the 1958 1/2 Penny generally exhibits a competent strike. High-points for wear on the obverse include the Queen's hair above the ear and laurel wreath leaves. On the reverse, the central star and raised lettering are critical. Well-preserved examples show full detail, reflecting good planchet quality and minimal strike imperfections.