1/2 Guldengroschen 'Joachimsthaler'

Emitent Schlick, Counts of
Rok 1523-1527
Typ Standard circulation coin
Nominał 1/2 Thaler
Waluta Thaler (1519-1754)
Skład Silver (.800)
Waga 14 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) Schult#4389
Opis awersu St Joachim as pilgrim dividing the letters S I (for St Ioachim) and the date. Below, the arms of the Counts of Bassano that divide the legend below. Legend (starts 12h) for `Argento Dominorum Slickorum Stefanus Et 7 Fratres Comes Dominus Bassani`. M in COM within the O. Star on top (mint mark for Hans Weizelmann).
Pismo awersu Latin
Legenda awersu AR DOM SLI ST // E 7 FRA CO D B
Opis rewersu Bohemia lion left in a double circle, the inner dented. Legend around (starts 12h).
Pismo rewersu Latin
Legenda rewersu LVDOVICVS PRIM D GRACIA REX BO
Krawędź
Mennica
Nakład ND (1523-1527) - -
1525 - -
ID Numisquare 1032647020
Dodatkowe informacje

Historical Context: The 1/2 Guldengroschen 'Joachimsthaler' (1523-1527) marks a pivotal moment in European numismatics. Issued by the Counts of Schlick in Joachimsthal, Bohemia, it is a fractional precursor to the revolutionary Thaler. The Schlicks capitalized on immense silver deposits, pioneering large silver coinage. This era, within the Holy Roman Empire, saw the burgeoning Reformation and economic shifts driven by new mining wealth, establishing the Thaler's role in international commerce.

Artistry: The design typically embodies the German Renaissance style, crafted by skilled mint engravers. The obverse commonly features Saint Joachim, patron saint of the Joachimsthal mines, often standing with detailed drapery. The reverse invariably displays the crowned, rampant Bohemian lion, a powerful symbol of regional autonomy and the Schlick family's rights. Latin legends encircle the central motifs, detailing the issuer and year, characteristic of the period's numismatic inscriptions.

Technical/Grading: Struck in .800 fine silver at 14 grams, these early hammered coins often show production variations. High points prone to wear or weak strike include Saint Joachim's face and hands, plus the lion's mane, crown, and claw details. Manual striking frequently results in minor planchet irregularities, slight off-center strikes, or softness, especially along the rim or intricate elements. A well-centered strike with strong central device detail is highly desirable for this series.

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