カタログ
| 発行体 | British Palestine (Israel) |
|---|---|
| 年号 | 1927 |
| 種類 | Coin pattern |
| 額面 | |
| 通貨 | Pound (1927-1948) |
| 材質 | |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Star of David with date at centre |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
ROYAL MINT 1927 ~ TRIAL DIE ~ |
| 裏面の説明 | Britannia at centre |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | BRITANNIA MONETA |
| 縁 | |
| 鋳造所 | Royal Mint (Tower Hill), London, United Kingdom (1810-1975) |
| 鋳造数 | 1927 |
| Numisquare ID | 1240083084 |
| 追加情報 |
Historical Context: This 1927 unknown denomination die trial emerges from a pivotal moment in the economic history of British Palestine, prior to the establishment of the State of Israel. The year 1927 marked the introduction of the first distinct currency for the Mandate territory, following the establishment of the Palestine Currency Board in 1926. Until this point, Egyptian currency had been prevalent. These new coins, issued under the authority of King George V, symbolized a significant step towards economic self-definition for the Mandate, reflecting the complex political and cultural landscape through its trilingual inscriptions and carefully chosen symbolism.
Artistry: The design for this die trial, like the subsequently issued 1927 coinage, would likely have been executed by an artist associated with the Royal Mint, with Percy Metcalfe often credited for the general series. The stylistic school is distinctly British Imperial, yet adapted to incorporate local Palestinian identity. Key design elements would include the name "Palestine" rendered in English, Arabic, and Hebrew, a crucial political and cultural statement. While the specific denomination is unknown, the trial would have been a preliminary strike for either an obverse featuring the monarch's effigy or a reverse with the proposed denomination and identifying territorial marks, often within an olive wreath motif.
Technical/Grading: As a die trial, this piece represents an early strike from a newly prepared die, often exhibiting exceptional technical qualities. High-points for the George V effigy typically include the hair details, ear, and crown. For the reverse, critical areas are the fine lines of any central motif, such as olive leaves, and the crispness of the trilingual lettering. Die trials are characteristically struck with significant pressure to test die integrity, often resulting in a very full, sharp strike with pristine fields, potentially displaying proof-like surfaces even if not intended as proofs. Such pieces are invaluable for studying the minting process and design evolution.