See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Unknown Æ - Tuun Chach, Uncertain Principality I, regular portraits, no symbols

Issuer Uncertain Chachian mint
Year 750-801
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Bronze
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Two facing busts depicted side by side in the field, rendered in a schematic, provincial style characteristic of Sogdian coinage of Chach. The portraits appear as regular, confronted effigies with minimal detail, executed with relatively crude die-cutting typical of late 8th-century Central Asian issues. No symbols or additional devices are present in the field. The flan is irregular and shows typical characteristics of hand-struck Chachian coinage of the period.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering bgy twwn x`g`n
(Translation: Divine Khagan Tuun)
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

Chach — the region around modern Tashkent — produced an exceptionally fragmented coinage during the eighth century, with local rulers issuing bronze in their own names while the broader political order shifted repeatedly between Türgesh, Arab, and Tang Chinese spheres of influence. The identity of the ruler behind this issue remains unresolved; Shagalov and Kuznetsov's cataloguing of Chachian bronzes groups several such pieces under provisional attributions where the Sogdian legends resist clean reading or lack parallels in documented regnal sequences.

The "regular portraits, no symbols" classification is itself a typological distinction within a series where tamga marks and subsidiary symbols were frequently used to differentiate sub-issues from the same mint.

YOU MAY ALSO LIKE