Danh mục
| Đơn vị phát hành | Cessetani people |
|---|---|
| Năm | 100 BC - 40 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Unit |
| Tiền tệ | Unit (early 1st century BC) |
| Chất liệu | Bronze |
| Trọng lượng | 8.5 g |
| Đường kính | 23 mm |
| Độ dày | 3 mm |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Coin alignment ↑↓ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | ACIP#1218, CNH#102, FAB#2294 |
| Mô tả mặt trước | Beardless head to the right. Behind TiKi. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Horseman with palm to the right. Below KeSE. |
| Chữ viết mặt sau | Iberian (Levantine) |
| Chữ khắc mặt sau | |
| Cạnh | Rough |
| Xưởng đúc | |
| Số lượng đúc |
ND (100 BC - 40 BC) - - |
| ID Numisquare | 7019111260 |
| Thông tin bổ sung |
Historical Context: This Unit TiKi, issued by the Cessetani people between 100 BC and 40 BC, represents a critical period of transition in Hispania Citerior. Operating from their capital, Tarraco, the Cessetani maintained a degree of economic autonomy through their coinage amidst the accelerating Romanization of the Iberian Peninsula. These bronze units served as essential local currency, reflecting the ongoing vitality of indigenous economic systems even as Roman influence solidified following the Sertorian Wars.
Artistry: While no specific engraver is recorded, this Unit exemplifies the Late Iberian stylistic school. The obverse typically features a robust male head, often bearded and adorned with traditional Iberian elements, possibly a dolphin, symbolizing local identity and power. The reverse commonly displays a dynamic horseman, a recurring motif in Iberian numismatics, embodying martial prowess and the region's strong equestrian culture. The design reflects a blend of indigenous tradition with subtle Hellenistic influences.
Technical/Grading: Struck in bronze, weighing 8.5 grams and measuring 23 millimeters, this coin is a substantial module. For grading, key high-points on the obverse include the hair, eye, and nose of the male portrait. On the reverse, the rider's head, horse's head, and the horse's musculature are crucial. Well-struck examples will exhibit full details on these features, though typical Iberian issues may show minor off-centering or weakness, characteristic of ancient minting techniques.