Catálogo
| Emissor | Cessetani people |
|---|---|
| Ano | 100 BC - 40 BC |
| Tipo | Standard circulation coin |
| Valor | 1 Unit |
| Moeda | Unit (early 1st century BC) |
| Composição | Bronze |
| Peso | 8.5 g |
| Diâmetro | 23 mm |
| Espessura | 3 mm |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Coin alignment ↑↓ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | ACIP#1218, CNH#102, FAB#2294 |
| Descrição do anverso | Beardless head to the right. Behind TiKi. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Horseman with palm to the right. Below KeSE. |
| Escrita do reverso | Iberian (Levantine) |
| Legenda do reverso | |
| Bordo | Rough |
| Casa da moeda | |
| Tiragem |
ND (100 BC - 40 BC) - - |
| ID Numisquare | 7019111260 |
| Informações adicionais |
Historical Context: This Unit TiKi, issued by the Cessetani people between 100 BC and 40 BC, represents a critical period of transition in Hispania Citerior. Operating from their capital, Tarraco, the Cessetani maintained a degree of economic autonomy through their coinage amidst the accelerating Romanization of the Iberian Peninsula. These bronze units served as essential local currency, reflecting the ongoing vitality of indigenous economic systems even as Roman influence solidified following the Sertorian Wars.
Artistry: While no specific engraver is recorded, this Unit exemplifies the Late Iberian stylistic school. The obverse typically features a robust male head, often bearded and adorned with traditional Iberian elements, possibly a dolphin, symbolizing local identity and power. The reverse commonly displays a dynamic horseman, a recurring motif in Iberian numismatics, embodying martial prowess and the region's strong equestrian culture. The design reflects a blend of indigenous tradition with subtle Hellenistic influences.
Technical/Grading: Struck in bronze, weighing 8.5 grams and measuring 23 millimeters, this coin is a substantial module. For grading, key high-points on the obverse include the hair, eye, and nose of the male portrait. On the reverse, the rider's head, horse's head, and the horse's musculature are crucial. Well-struck examples will exhibit full details on these features, though typical Iberian issues may show minor off-centering or weakness, characteristic of ancient minting techniques.