カタログ
| 発行体 | Petelia |
|---|---|
| 年号 | 214 BC - 200 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 1.24 g |
| 直径 | 12.5 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HN Italy#2466 , HGC 1#1626 |
| 表面の説明 | Bearded head of Ares to right, wearing crested Corinthian helmet; pellet (mark of value) behind. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Nike standing to left, holding wreath and palm branch; ΠETH-ΛINΩN to right and left, two monograms to left. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΠETH ΛINΩN |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (214 BC - 200 BC) - - |
| Numisquare ID | 8577145450 |
| 追加情報 |
Historical Context: This bronze Uncia, issued by the Greek city of Petelia between 214 and 200 BC, marks a tumultuous period during the Second Punic War. Petelia, a staunch Roman ally, famously endured a brutal siege by Hannibal, demonstrating profound loyalty. The city's issuance of its own bronze coinage, even in small denominations, highlights its economic resilience and the critical need for local currency amidst widespread conflict. This coin signifies the gradual Romanization of local economies, adopting Roman weight standards.
Artistry: The artistic execution of this Uncia, while utilitarian due to wartime conditions, aligns with broader Hellenistic stylistic conventions of Magna Graecia. Specific engravers are typically anonymous for such provincial issues. Designs were crafted for legibility on the small module, often featuring a local deity or allegorical head on the obverse and a relevant symbol or value mark on the reverse. The compact 12.5 mm flan necessitated a simplified, yet recognizable, artistic rendition, prioritizing clarity.
Technical/Grading: Struck on a diminutive 12.5 mm bronze flan weighing 1.24 gg, the technical strike quality of these wartime Uncia issues often varies. High-points, typically the most prominent design features, are prone to wear or weakness. Common characteristics include irregular flan shapes, off-center strikes, and areas of flatness, especially towards the periphery, indicative of hurried production and less precise methods. A desirable example displays clear central motifs despite these inherent production limitations.