カタログ
| 発行体 | Barium |
|---|---|
| 年号 | 180 BC - 160 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | |
| 材質 | Bronze |
| 重量 | 3.28 g |
| 直径 | 16 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HN Italy#734 , SNG ANS 1#655-656 , HGC 1#554 |
| 表面の説明 | Laureate head of Zeus to right; behind, star (mark of value). |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Eros on prow right; shooting with bow and arrow. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΒΑΡΙΝ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (180 BC - 160 BC) - - |
| Numisquare ID | 3140175050 |
| 追加情報 |
Historical Context: This Æ Uncia, issued by Barium (modern Bari) between 180 BC and 160 BC, reflects a transitional era in Magna Graecia. Post-Punic Wars, Barium, an Apulian city, was increasingly under Roman hegemony. While lacking a singular ruler, its local bronze coinage signifies persistent civic autonomy and a functioning local economy. The uncia denomination parallels Roman monetary systems, illustrating the gradual Romanization of southern Italy's economic landscape during this pivotal period.
Artistry: The engraver of this Æ Uncia is anonymous, typical for municipal bronze issues. Stylistically, it aligns with provincial Hellenistic traditions prevalent in southern Italy, characterized by a robust, simplified rendering of classical motifs. The obverse commonly features a laureate head of Zeus, embodying divine authority. The reverse typically depicts a marine dolphin, a fitting emblem for coastal Barium, often accompanied by a star or pellet denoting the uncia denomination, reflecting local numismatic practices.
Technical/Grading: Struck in bronze, this uncia weighs 3.28 grams and measures 16 millimeters, standard for a small fractional denomination. For grading, critical high-points on the obverse Zeus include the brow, nose, and hair. On the reverse, the dolphin's dorsal fin and snout are most susceptible to wear. Bronze flans from this period often exhibit irregular shapes, minor porosity, and off-center strikes. A well-struck example would show clear detail on both sides despite inherent medium limitations.