| Uitgever | Polish–Lithuanian Commonwealth |
|---|---|
| Jaar | 1591-1600 |
| Type | Standard circulation coin |
| Waarde | 3 Groschens (Trojak) (0.1) |
| Valuta | First Zloty (1573-1795) |
| Samenstelling | Silver |
| Gewicht | 2.5 g |
| Diameter | |
| Dikte | |
| Vorm | Round |
| Techniek | |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Ig#O.91, Ig#O.92, Ig#O.93, Ig#O.94, Ig#O.95, Ig#O.96, Ig#O.97, Ig#O.98, Ig#O.99, Ig#O.00 |
| Beschrijving voorzijde | SIG III D G-POLON M D L |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | SIG:III:DG.REX.POL:M:D:LIT |
| Beschrijving keerzijde | III GROS ARG TR R POLO NI 95 I F Iger O.95.4b Obverse: SIG III D G.R-POLO M D L Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4c Obverse: SIG III D G R--POLO M D L * Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4d Obverse: SIG III D G.R-POLON M D L Reverse: III GROS ARG TR R POLO NI 95 I F pictures: @ tdziemia Iger O.95.4e Obverse: SIG III D G.R.-POLON M D L I. Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4f Obverse: SIG III D G.R~POLON M D L Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4g Obverse: SIG III D:G:R..POLONI M D L Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4h Obverse: SIG III D:G.R.-POLONI M D L I. Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4i Obverse: SIG III D G RE-POLONI M D L Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.95.4j Obverse: SIG III D G RE-POLONI M D L I. Reverse: III GROS ARG TR R POLO NI 95 I F Iger O.96.1 Iger O.97.1 Iger O.97.2 Iger O.98.1 Iger O.98.2 Iger O.98.3 Iger O.98.4 Iger O.99.1 Iger O.99.2 Iger O.00.1 Iger O.00.2 |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | .III. GROS.ARG.TR IP.REG.POLO .NIAE. I F .15 (_) 91. |
| Rand | |
| Muntplaats | |
| Oplage |
1591 - Iger O.91.3 - 1591 - Iger O.91.4 - 1591 - Iger O.91.5 - 1591 - Iger O.91.6 - 1591 - Iger O.91.7 - 1592 - Iger O.92.1 - 1592 - Iger O.92.2 - 1592 - Iger O.92.3 - 1592 - Iger O.92.4 - 1592 - Iger O.92.5 - 1592 - Iger O.92.6 - 1593 - Iger O.93.1 - 1593 - Iger O.93.2 - 1593 - Iger O.93.3 - 1593 - Iger O.93.4 - 1593 - Iger O.93.5 - 1594 - Iger O.94.8 - 1594 - Iger O.94.9 - 1595 - Iger O.95.3 - 1595 - Iger O.95.4 - 1596 - Iger O.96.1 - 1597 - Iger O.97.1 - 1597 - Iger O.97.2 - 1598 - Iger O.98.1 - 1598 - Iger O.98.2 - 1598 - Iger O.98.3 - 1598 - Iger O.98.4 - 1599 - Iger O.99.1 - 1599 - Iger O.99.2 - 1600 - Iger O.00.1 - 1600 - Iger O.00.2 - |
| Numisquare-ID | 1516768300 |
| Aanvullende informatie |
Historical Context: This Trojak, or 3 Grosze piece, issued from the Olkusz mint between 1591 and 1600, belongs to the extensive coinage of Sigismund III Vasa. His reign (1587-1632) was a period of significant political and religious transformation for the Polish-Lithuanian Commonwealth, marked by expansion, the Counter-Reformation, and dynastic claims to the Swedish throne. The Trojak was a workhorse denomination, crucial for daily commerce and reflecting the economic stability and administrative capacity of the Commonwealth, with Olkusz being a prominent silver mining and minting center during this era.
Artistry: The artistry of these Olkusz Trojaks from the late 16th century adheres to the prevailing late Renaissance numismatic style. While specific engravers for these common issues are generally not individually documented, the designs consistently feature a dignified, crowned bust of Sigismund III Vasa on the obverse, typically facing right, encircled by his royal titles. The reverse proudly displays the conjoined arms of the Polish-Lithuanian Commonwealth – the Polish eagle and the Lithuanian Vytis (knight on horseback) – often within an ornate shield or cartouche, flanked by the denomination and the year of issue, symbolizing the strength of the union.
Technical/Grading: These silver Trojaks, weighing approximately 2.5 grams, frequently exhibit a range of strike qualities. Critical high-points for assessing wear and strike include the intricate details of the monarch's crown, the highest points of his hair and shoulder, and the fine features of the eagle's feathers and the Vytis's horse. While well-struck examples can display sharp definition, many specimens show some weakness, particularly in the peripheral legends or the more delicate design elements, often a result of worn dies or inconsistent striking pressure. Planchet quality can also vary, occasionally presenting minor irregularities or slight cupping.