| Emitent | Elbing, City of |
|---|---|
| Rok | 1631 |
| Typ | Standard circulation coin |
| Hodnota | Trojak = 3 Grosze |
| Měna | Thaler (1626-1657) |
| Složení | Gold |
| Hmotnost | |
| Průměr | |
| Tloušťka | |
| Tvar | Round |
| Technika | |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | Kop#9618 |
| Popis líce | |
|---|---|
| Písmo líce | Latin |
| Opis líce | |
| Popis rubu | |
| Písmo rubu | Latin |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
1631 - - |
| ID Numisquare | 1414034940 |
| Další informace |
Historical Context: This gold Trojak, struck in Elbing (Elbląg) in 1631, dates from the Swedish occupation under Gustaw II Adolf. A key figure in the Thirty Years' War, Gustaw II Adolf’s campaigns in Royal Prussia (1626-1635) were vital for financing his military. Issuing coinage under his authority in occupied cities like Elbing, even in traditional Polish denominations, powerfully asserted Swedish sovereignty and economic control. The use of gold for a denomination typically struck in silver strongly suggests a special presentation piece or pattern strike, not a circulating coin.
Artistry: The specific engraver for this piece remains unrecorded, though the stylistic execution aligns with the early Baroque numismatic traditions prevalent in Central Europe during this period, likely influenced by German or Baltic mint masters. The obverse typically features a robust, laureate, and armored bust of Gustaw II Adolf, exuding regal authority. The reverse design would showcase the arms of Elbing, often combined with Swedish heraldry, clearly denoting the city's status under Swedish administration, alongside the denomination and date. The artistry aimed for clear legibility and symbolic representation of power.
Technical/Grading: As a gold strike of a denomination typically found in silver, this piece likely exhibits superior technical quality, suggesting it was produced as a pattern, proof, or presentation issue. Key high-points for wear or strike weakness would include the highest points of Gustaw II Adolf's laurel wreath and armor on the obverse, and the intricate details of the crown and shield elements on the reverse. A well-preserved example would display a full, sharp strike, often with proof-like fields, indicative of a carefully prepared planchet and multiple strike impressions, with minimal contact marks.