Tritartemorion

Đơn vị phát hành Terone
Năm 400 BC - 348 BC
Loại Standard circulation coin
Mệnh giá Tritartemorion (1/8)
Tiền tệ Drachm
Chất liệu Silver
Trọng lượng 0.40 g
Đường kính 8 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered, Incuse
Hướng Variable alignment ↺
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo AMNG III#7 , HGC 3.1#699
Mô tả mặt trước Oinochoe; T-E flanking.
Chữ viết mặt trước Greek
Chữ khắc mặt trước T E
Mô tả mặt sau Head of goat right within incuse square.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (400 BC - 348 BC) - -
ID Numisquare 4481681320
Thông tin bổ sung

Historical Context: This silver Tritartemorion originates from Terone, an ancient Greek city in Chalcidice, active between 400 BC and 348 BC. This period encompasses significant geopolitical shifts, including the rise and eventual dissolution of the Chalcidian League, and escalating Macedonian influence under Philip II, culminating in Terone's destruction in 348 BC. As a fractional denomination (one-twelfth of a stater), the Tritartemorion played a vital role in daily commerce, underscoring the city's economic sophistication during a turbulent era.

Artistry: The engraver of this minute coin remains anonymous, typical for fractional issues of the period. Stylistically, it aligns with the Late Classical Greek tradition, albeit simplified due to its diminutive 8mm module. Terone's coinage frequently features Dionysiac themes, reflecting its renowned wine production. Common designs for these fractions include a stylized head, perhaps of Dionysus or a nymph, on the obverse, and a symbol like a kantharos or local legend on the reverse. The execution, though compact, conveys the city's identity through recognizable iconography.

Technical/Grading: Weighing 0.40 grams of silver, this Tritartemorion demonstrates the typical fabric of a utilitarian fractional coin. Due to its small size and often rapid production, strikes can vary considerably, frequently exhibiting minor off-centering or areas of flatness, particularly on the highest points of the design. Die wear is also common. Despite these challenges, well-preserved examples offer clear details of the iconography, providing insight into the metallurgical and minting practices of Terone.

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