Katalog
| İhraççı | Terone |
|---|---|
| Yıl | 400 BC - 348 BC |
| Tür | Standard circulation coin |
| Değer | Tritartemorion (1/8) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 0.40 g |
| Çap | 8 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered, Incuse |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | AMNG III#7 , HGC 3.1#699 |
| Ön yüz açıklaması | Oinochoe; T-E flanking. |
|---|---|
| Ön yüz yazısı | Greek |
| Ön yüz lejandı | T E |
| Arka yüz açıklaması | Head of goat right within incuse square. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (400 BC - 348 BC) - - |
| Numisquare Kimliği | 4481681320 |
| Ek bilgiler |
Historical Context: This silver Tritartemorion originates from Terone, an ancient Greek city in Chalcidice, active between 400 BC and 348 BC. This period encompasses significant geopolitical shifts, including the rise and eventual dissolution of the Chalcidian League, and escalating Macedonian influence under Philip II, culminating in Terone's destruction in 348 BC. As a fractional denomination (one-twelfth of a stater), the Tritartemorion played a vital role in daily commerce, underscoring the city's economic sophistication during a turbulent era.
Artistry: The engraver of this minute coin remains anonymous, typical for fractional issues of the period. Stylistically, it aligns with the Late Classical Greek tradition, albeit simplified due to its diminutive 8mm module. Terone's coinage frequently features Dionysiac themes, reflecting its renowned wine production. Common designs for these fractions include a stylized head, perhaps of Dionysus or a nymph, on the obverse, and a symbol like a kantharos or local legend on the reverse. The execution, though compact, conveys the city's identity through recognizable iconography.
Technical/Grading: Weighing 0.40 grams of silver, this Tritartemorion demonstrates the typical fabric of a utilitarian fractional coin. Due to its small size and often rapid production, strikes can vary considerably, frequently exhibiting minor off-centering or areas of flatness, particularly on the highest points of the design. Die wear is also common. Despite these challenges, well-preserved examples offer clear details of the iconography, providing insight into the metallurgical and minting practices of Terone.