Danh mục
| Đơn vị phát hành | Mende |
|---|---|
| Năm | 480 BC - 460 BC |
| Loại | Standard circulation coin |
| Mệnh giá | Tritartemorion (1/8) |
| Tiền tệ | Drachm |
| Chất liệu | Silver |
| Trọng lượng | 0.37 g |
| Đường kính | 9.0 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered, Incuse |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | SNG ANS 7#316 |
| Mô tả mặt trước | Ass’s head to left |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Incuse square diagonally divided |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (480 BC - 460 BC) - - |
| ID Numisquare | 3729432850 |
| Thông tin bổ sung |
Historical Context: This Tritartemorion, issued by the city of Mende between 480 BC and 460 BC, situates itself firmly within the Early Classical period of Greek numismatics. Mende, a significant city in Chalcidice, flourished during this era, leveraging its fertile lands for viticulture and establishing itself as a prominent exporter of wine. The issuance of this small silver denomination underscores the city's economic vitality and autonomous status, facilitating local commerce and trade before the increasing dominance of the Athenian League.
Artistry: The anonymous engraver worked within the nascent Early Classical stylistic tradition, transitioning from Archaic stiffness towards greater naturalism. Given the coin's diminutive size (9mm), the design was necessarily compact. Mende's coinage is renowned for its Dionysian themes; this Tritartemorion likely featured a simplified motif such as a grape cluster, kantharos, or a stylized head of Dionysus, referencing the city's famed wine production. Artistry, though constrained by scale, aimed for clear, recognizable symbolism.
Technical/Grading: Struck in silver and weighing 0.37 grams, this Tritartemorion typically exhibits characteristics of early minting techniques. High-points for wear correspond to the most prominent features of the design, such as central grapes or raised elements of a kantharos. Technical strike quality often varies; examples may show an irregular flan shape, some off-centering, or a less-than-full strike due to small dies and manual striking. Well-preserved specimens display sharp details despite these inherent limitations.