カタログ
| 発行体 | Mende |
|---|---|
| 年号 | 480 BC - 460 BC |
| 種類 | Standard circulation coin |
| 額面 | Tritartemorion (1/8) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 0.37 g |
| 直径 | 9.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG ANS 7#316 |
| 表面の説明 | Ass’s head to left |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Incuse square diagonally divided |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (480 BC - 460 BC) - - |
| Numisquare ID | 3729432850 |
| 追加情報 |
Historical Context: This Tritartemorion, issued by the city of Mende between 480 BC and 460 BC, situates itself firmly within the Early Classical period of Greek numismatics. Mende, a significant city in Chalcidice, flourished during this era, leveraging its fertile lands for viticulture and establishing itself as a prominent exporter of wine. The issuance of this small silver denomination underscores the city's economic vitality and autonomous status, facilitating local commerce and trade before the increasing dominance of the Athenian League.
Artistry: The anonymous engraver worked within the nascent Early Classical stylistic tradition, transitioning from Archaic stiffness towards greater naturalism. Given the coin's diminutive size (9mm), the design was necessarily compact. Mende's coinage is renowned for its Dionysian themes; this Tritartemorion likely featured a simplified motif such as a grape cluster, kantharos, or a stylized head of Dionysus, referencing the city's famed wine production. Artistry, though constrained by scale, aimed for clear, recognizable symbolism.
Technical/Grading: Struck in silver and weighing 0.37 grams, this Tritartemorion typically exhibits characteristics of early minting techniques. High-points for wear correspond to the most prominent features of the design, such as central grapes or raised elements of a kantharos. Technical strike quality often varies; examples may show an irregular flan shape, some off-centering, or a less-than-full strike due to small dies and manual striking. Well-preserved specimens display sharp details despite these inherent limitations.