Catalogo
| Emittente | Adramyttion |
|---|---|
| Anno | 357 BC - 352 BC |
| Tipo | Standard circulation coin |
| Valore | 1 Tetrobol = 4 Obol = 4⁄6 Drachm (⅔) |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 2.63 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | SNG France#1161 |
| Descrizione del dritto | Helmeted head of Athena left |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Forepart of Pegasus right |
| Scrittura del rovescio | Greek |
| Legenda del rovescio | OPONT |
| Bordo | |
| Zecca | |
| Tiratura |
ND (357 BC - 352 BC) - - |
| ID Numisquare | 8696915020 |
| Informazioni aggiuntive |
Historical Context: This silver tetrobol, issued by the city of Adramyttion between 357 and 352 BC, provides a tangible link to a turbulent period in Asia Minor. Located in Mysia, Adramyttion was a strategic coastal city often caught between the waning power of the Achaemenid Persian Empire and the ambitions of local satraps, particularly during the lingering effects of the Great Satraps' Revolt. Its coinage issuance during this timeframe suggests either relative autonomy or the assertion of local authority within the Persian sphere, facilitating trade and payments.
Artistry: The artistry of this tetrobol exemplifies the Late Classical Greek style prevalent in Asia Minor. The obverse typically features a finely rendered laureate head of Zeus, often depicted with a dignified and mature expression, embodying the city's reverence for the chief Olympian deity. The reverse commonly displays an eagle, sacred to Zeus, standing left on a thunderbolt, a powerful symbol of divine authority and protection. While the engraver remains anonymous, such issues point to skilled local artisans adhering to established iconographic traditions.
Technical/Grading: Weighing 2.63 grams, this silver tetrobol conforms to the established weight standard for its denomination. For optimal grading, key high-points on the obverse include the forehead, nose, and the highest curls of Zeus's hair and laurel wreath. On the reverse, the eagle's breast, wings, and head are critical areas. A well-struck example exhibits full detail on these elements, with minimal die wear and good centering, though minor off-centering or slight die clashes are common for ancient issues.