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Tetradrachm Uncertain Punic mint, Lilybaion or Entella

Uitgever Uncertain Punic mint
Jaar 320 BC - 300 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht 17.12 g
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Facing right, the wreathed head of the goddess Tanit is rendered in fine Sicilian style, her hair gathered beneath a wreath of grain leaves. She wears a triple-pendant earring and a pearl necklace, framing an elegantly modeled profile. Four dolphins are disposed around the field, symbolizing the maritime character of the Punic western Mediterranean world.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A powerful horse's head faces left with a flowing, finely detailed mane cascading down the neck, rendered in high relief characteristic of Sicilian die-cutting. To the left stands a tall palm tree, the emblematic symbol of Carthage and Phoenician culture. In the lower exergual area, a Punic inscription reads in Neo-Punic characters, translating as 'People of the Camp' (Mahane or Camp mint), identifying the issuing civic or military authority.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Punic Sicily in this period was a battleground for monetary influence as much as military control. Carthage used its Sicilian mints — Lilybaion and Entella among the most productive — to pay mercenary armies in the field, meaning these tetradrachms circulated less as trade currency and more as military payroll. The attribution to a single mint remains unresolved; Jenkins and Lewis identified the Group IV issues as a stylistic cluster without pinning down a precise workshop, and the debate has not definitively closed since their 1964 corpus.

MISSCHIEN OOK INTERESSANT