Catálogo
| Emisor | Dacians of Muntenia |
|---|---|
| Año | 300 BC - 100 BC |
| Tipo | Standard circulation coin |
| Valor | Tetradrachm (4) |
| Moneda | Drachm |
| Composición | Silver |
| Peso | 7.35 g |
| Diámetro | 22 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | Kostial#649, Preda MGD#Pl. 42 13, Göbl Kelt#Pl. 26 300/14 |
| Descripción del anverso | Heavily stylised head to right. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Heavily stylised rider on horseback to left. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (300 BC - 100 BC) - - |
| ID de Numisquare | 1041816030 |
| Información adicional |
Historical Context: This Tetradrachm, the Sattelkopfpferd Type, originates from the Dacians of Muntenia (300 BC - 100 BC). This era marks significant Dacian political and economic growth in the Carpathian region, influenced by Celtic tribes and Macedonian Hellenism. These coins were crucial for trade and prestige, reflecting Dacian adoption and reinterpretation of Hellenistic monetary systems, particularly the tetradrachms of Philip II and Alexander III.
Artistry: The design showcases a distinct Dacian artistic interpretation, moving beyond mere imitation. While the obverse typically features a highly stylized head, likely derived from Zeus or Herakles, the reverse presents the eponymous "Sattelkopfpferd" – a horse with an abstract, saddle-like head, often rendered with geometric precision. This unique stylistic choice, attributed to anonymous local engravers, exemplifies the vibrant, abstract artistic school prevalent among Celtic and Dacian cultures, transforming classical motifs into indigenous symbols.
Technical/Grading: Struck in silver, this example weighs 7.35 grams and measures 22 millimeters, consistent with the series. For grading, key high-points on the obverse include the facial features and hair of the stylized head. On the reverse, the horse's body and the distinctive "saddle-head" feature are crucial. Strike quality varies, from sharp details to softer or slightly off-center impressions, reflecting diverse production methods. Flan irregularities are also common.