| Emissor | Arados |
|---|---|
| Ano | 62 BC - 61 BC |
| Tipo | Standard circulation coin |
| Valor | Tetradrachm (4) |
| Moeda | Drachm |
| Composição | Silver |
| Peso | 15.07 g |
| Diâmetro | 26.5 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | BMC Greek#284, BMC Greek#285 |
| Descrição do anverso | Turreted, draped and veiled bust of Tyche right. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Nike standing left, holding aplustre and palm, date in field; all within wreath. |
| Escrita do reverso | Greek |
| Legenda do reverso |
APAΔIΩN ʜqρ Λ EΣ (Translation: Arados) |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (62 BC - 61 BC) - ʜqρ (year 198) - |
| ID Numisquare | 1068818910 |
| Informações adicionais |
Historical Context: The Tetradrachm ʜqρ, EΣ, issued by Arados in 62-61 BC, signifies the city-state's autonomy amidst increasing Roman influence in the Eastern Mediterranean. This era, post-Mithridatic Wars, saw Arados maintain its prolific silver coinage. The monograms ʜqρ and EΣ denote civic magistrates, affirming the city's self-governance and economic vitality. This issue underscores Arados's strategic importance as a Phoenician trading center and its capacity to assert local identity through currency.
Artistry: This tetradrachm embodies the late Hellenistic artistic tradition characteristic of Aradian minting. The obverse presents a laureate head of Zeus, rendered with classical idealization and Hellenistic refinement. The reverse prominently features a galley prow, a potent emblem of Arados's maritime power and Phoenician heritage, often surmounted by a small deity. This fusion of Greek mythological iconography with indigenous symbols creates a distinctive visual narrative, typical of Arados's cultural synthesis; specific engravers remain anonymous.
Technical/Grading: Struck in silver to the Attic standard (15.07 grams, 26.5 mm), this coin's high-points for grading are Zeus’s hair and laurel wreath on the obverse, and the galley prow’s intricate details and surmounting figure on the reverse. Well-struck examples display sharp definition in these areas, alongside clear Phoenician inscriptions and monograms. While generally well-centered, minor die wear or slight weakness in highest relief, especially on Zeus’s hair, are common.