Tetradrachm ʜqρ, EΣ

Emisor Arados
Año 62 BC - 61 BC
Tipo Standard circulation coin
Valor Tetradrachm (4)
Moneda Drachm
Composición Silver
Peso 15.07 g
Diámetro 26.5 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) BMC Greek#284, BMC Greek#285
Descripción del anverso Turreted, draped and veiled bust of Tyche right.
Escritura del anverso
Leyenda del anverso
Descripción del reverso Nike standing left, holding aplustre and palm, date in field; all within wreath.
Escritura del reverso Greek
Leyenda del reverso APAΔIΩN ʜqρ Λ EΣ
(Translation: Arados)
Canto
Casa de moneda
Tirada ND (62 BC - 61 BC) - ʜqρ (year 198) -
ID de Numisquare 1068818910
Información adicional

Historical Context: The Tetradrachm ʜqρ, EΣ, issued by Arados in 62-61 BC, signifies the city-state's autonomy amidst increasing Roman influence in the Eastern Mediterranean. This era, post-Mithridatic Wars, saw Arados maintain its prolific silver coinage. The monograms ʜqρ and EΣ denote civic magistrates, affirming the city's self-governance and economic vitality. This issue underscores Arados's strategic importance as a Phoenician trading center and its capacity to assert local identity through currency.

Artistry: This tetradrachm embodies the late Hellenistic artistic tradition characteristic of Aradian minting. The obverse presents a laureate head of Zeus, rendered with classical idealization and Hellenistic refinement. The reverse prominently features a galley prow, a potent emblem of Arados's maritime power and Phoenician heritage, often surmounted by a small deity. This fusion of Greek mythological iconography with indigenous symbols creates a distinctive visual narrative, typical of Arados's cultural synthesis; specific engravers remain anonymous.

Technical/Grading: Struck in silver to the Attic standard (15.07 grams, 26.5 mm), this coin's high-points for grading are Zeus’s hair and laurel wreath on the obverse, and the galley prow’s intricate details and surmounting figure on the reverse. Well-struck examples display sharp definition in these areas, alongside clear Phoenician inscriptions and monograms. While generally well-centered, minor die wear or slight weakness in highest relief, especially on Zeus’s hair, are common.

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