Tetradrachm Imitation of Tetradrachm of Philip III of Macedon

発行体 Getae
年号 300 BC - 201 BC
種類 Standard circulation coin
額面 Tetradrachm (4)
通貨 Drachm
材質 Silver
重量 16.76 g
直径
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 CCCBM 1#I 185, Kostial#904, Pink#580, 582, Preda MGD#p.LXXII 1-3, Castelin#1345
表面の説明 Head of Herakles right, wearing lion-skin.
表面の文字体系
表面の銘文
裏面の説明 Zeus Aëtophoros seated left. Eagle on his extended right hand, and a sceptre in his right hand. Sun and `double axe` monogram in left field.
裏面の文字体系
裏面の銘文 ΦΙΛΙΠΠΟΥ
鋳造所
鋳造数 ND (300 BC - 201 BC) - -
Numisquare ID 1221269560
追加情報

Historical Context: This silver tetradrachm is a compelling imitation of Philip III Arrhidaeus' coinage, issued by the Getae between 300 and 201 BC. Philip III's types were widely disseminated after Alexander the Great's death. The Getae, a powerful Thracian confederation, adopted these Macedonian prototypes to facilitate trade and establish their economic presence. These imitations underscore Macedonian currency's pervasive influence and the Getae’s integration into the Hellenistic monetary system, adapting foreign prototypes for regional needs.

Artistry: While original Macedonian tetradrachms were products of skilled Greek engravers, this Getic imitation displays typical "barbarian" rendition characteristics. The obverse originally depicted Herakles wearing the Nemean lion's scalp; the reverse featured Zeus Aëtophoros. The anonymous engraver of imitative issues often simplified or stylized these classical elements. Artistic interpretation could range from faithful copies to abstract or idiosyncratic representations, reflecting local aesthetic sensibilities rather than strict adherence to Hellenic ideals.

Technical/Grading: Struck in silver and weighing 16.76 grams, this imitation closely approximates the Attic tetradrachm standard, emphasizing its intended value. Technical strike qualities often vary in imitative series, typically showing less precise flan preparation and striking than official Macedonian issues. High-points, like Herakles’ lion scalp or Zeus’s head and eagle, may exhibit less definition or wear more quickly due to shallower relief or less careful striking. Off-centering or die wear are common characteristics of these fascinating adaptations.

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