Tetradrachm - Euenos, son of Herodos

发行方 Laodikeia (Phrygia)
年份 58 BC - 56 BC
类型 Standard circulation coin
面值 Tetradrachm (4)
货币 Cistophoric drachm
材质 Silver
重量 12.45 g
直径 25 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Medal alignment ↑↑
雕刻师
流通至
参考资料 SNG Copenhagen#491
正面描述 Cista mystica with serpent; all within ivy wreath.
正面文字
正面铭文
背面描述 Two snakes coiled around a bow case; to left, ΛAO; to right, winged kerykeion; between snakes heads, magistrate name in two lines.
背面文字 Greek
背面铭文 ΛAO EYHNOΣ HPΩΔOY
边缘
铸币厂
铸造量 ND (58 BC - 56 BC) - -
Numisquare 编号 2490199860
附加信息

Historical Context: This tetradrachm was issued by Laodikeia in Phrygia between 58 and 56 BC, during the late Roman Republic. The magistrate Euenos, son of Herodos, oversaw its production, a common practice for Hellenistic cities under Roman provincial administration. This era followed the Mithridatic Wars, solidifying Roman dominance in Asia Minor. Laodikeia, a prominent economic center, continued to issue silver coinage, reflecting its prosperity and local autonomy within the broader Roman imperial structure.

Artistry: The design adheres to established Hellenistic numismatic traditions, likely featuring a laureate head of Zeus Laodikeus on the obverse, a patron deity. The reverse typically depicts an eagle standing left on a thunderbolt, accompanied by the city's ethnic (ΛΑΟΔΙΚΕΩΝ) and the magistrate's name. While the engraver remains anonymous, the stylistic school reflects the classical Greek aesthetic, characterized by dignified portraiture and meticulous rendering of animal forms, though with standardized execution often seen in later provincial issues.

Technical/Grading: Struck in silver, weighing 12.45 grams and measuring 25 millimeters, this tetradrachm exhibits standard specifications. For high-grade examples, key strike points include the intricate details of Zeus's hair and laurel wreath on the obverse, and the precise rendering of the eagle's feathers, talons, and head on the reverse. A strong strike ensures full legibility of all legends and monograms. The broad flan typically allows for complete design elements; slight off-centering is common but should not obscure critical features.

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