目录
| 发行方 | West Noricum |
|---|---|
| 年份 | 100 BC - 1 BC |
| 类型 | Standard circulation coin |
| 面值 | Tetradrachm (4) |
| 货币 | Drachm |
| 材质 | Silver |
| 重量 | 9.24 g |
| 直径 | 25 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Kostial#150 |
| 正面描述 | Laureate male head to right. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Horseman to left, brandishing spear in right hand; ? in upper right field, three annulets in fields. |
| 背面文字 | |
| 背面铭文 | ? |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (100 BC - 1 BC) - - |
| Numisquare 编号 | 3840542570 |
| 附加信息 |
Historical Context: The Tetradrachm Eccaio Type originates from West Noricum during the late Iron Age, 100 BC to 1 BC. This era precedes full Roman annexation, marking a critical period of Celtic tribal consolidation and increasing interaction with the Roman Republic. The "Eccaio" inscription likely denotes a specific tribal leader or mint authority, signifying a localized economy within a broader network of Celtic trade. These silver issues underscore the sophistication of Norican Celtic societies in managing their monetary systems amidst a dynamic geopolitical landscape.
Artistry: Characteristic of late La Tène numismatics, the Eccaio Tetradrachm showcases a distinct stylistic evolution. While often drawing inspiration from Hellenistic prototypes, such as the head of Philip II, the design is heavily stylized, embodying the unique Celtic artistic school. Engravers, likely local artisans, reinterpreted classical forms with abstract, curvilinear elements, creating a powerful, often enigmatic portrait. The reverse typically features a highly stylized horse or charioteer, reflecting Celtic cultural motifs and indigenous artistic expression.
Technical/Grading: Struck in silver, weighing 9.24 grams and measuring 25 millimeters, this type often exhibits variable strike quality, common for Celtic issues. High points for wear and strike typically include the stylized hair and facial features on the obverse, and the horse's mane and legs on the reverse. Flan shapes can be irregular, and die alignment may vary, leading to off-center strikes. Well-preserved examples reveal the die engraver's intent and the metallurgical practices of West Noricum.