Каталог
| Эмитент | West Noricum |
|---|---|
| Год | 100 BC - 1 BC |
| Тип | Standard circulation coin |
| Номинал | Tetradrachm (4) |
| Валюта | Drachm |
| Состав | Silver |
| Вес | 9.24 g |
| Диаметр | 25 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Kostial#150 |
| Описание аверса | Laureate male head to right. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Horseman to left, brandishing spear in right hand; ? in upper right field, three annulets in fields. |
| Письменность реверса | |
| Надписи реверса | ? |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (100 BC - 1 BC) - - |
| ID Numisquare | 3840542570 |
| Дополнительная информация |
Historical Context: The Tetradrachm Eccaio Type originates from West Noricum during the late Iron Age, 100 BC to 1 BC. This era precedes full Roman annexation, marking a critical period of Celtic tribal consolidation and increasing interaction with the Roman Republic. The "Eccaio" inscription likely denotes a specific tribal leader or mint authority, signifying a localized economy within a broader network of Celtic trade. These silver issues underscore the sophistication of Norican Celtic societies in managing their monetary systems amidst a dynamic geopolitical landscape.
Artistry: Characteristic of late La Tène numismatics, the Eccaio Tetradrachm showcases a distinct stylistic evolution. While often drawing inspiration from Hellenistic prototypes, such as the head of Philip II, the design is heavily stylized, embodying the unique Celtic artistic school. Engravers, likely local artisans, reinterpreted classical forms with abstract, curvilinear elements, creating a powerful, often enigmatic portrait. The reverse typically features a highly stylized horse or charioteer, reflecting Celtic cultural motifs and indigenous artistic expression.
Technical/Grading: Struck in silver, weighing 9.24 grams and measuring 25 millimeters, this type often exhibits variable strike quality, common for Celtic issues. High points for wear and strike typically include the stylized hair and facial features on the obverse, and the horse's mane and legs on the reverse. Flan shapes can be irregular, and die alignment may vary, leading to off-center strikes. Well-preserved examples reveal the die engraver's intent and the metallurgical practices of West Noricum.