Catalogue
| Émetteur | Laodikeia (Phrygia) |
|---|---|
| Année | 88 BC - 67 BC |
| Type | Standard circulation coin |
| Valeur | Tetradrachm (4) |
| Devise | Cistophoric drachm |
| Composition | Silver |
| Poids | 12.43 g |
| Diamètre | 26 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | BMC Greek#5 |
| Description de l’avers | Cista mystica with serpent; all within ivy wreath. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Two snakes coiled around a bow case; to left, ΛAO; to right, winged kerykeion; between snakes heads, magistrate name in two lines. |
| Écriture du revers | Greek |
| Légende du revers | ΛAO ΑΦΟΒΗΤΟΣ ΦΙΛΙΠΠΟΥ |
| Tranche | |
| Atelier | |
| Tirage |
ND (88 BC - 67 BC) - - |
| ID Numisquare | 2567305190 |
| Informations supplémentaires |
Historical Context: This silver tetradrachm, issued by Laodikeia in Phrygia (88-67 BC), reflects a tumultuous late Hellenistic period of Mithridatic Wars and growing Roman influence. Bearing Aphobetos, son of Philip, likely a civic magistrate, it signifies Laodikeia's municipal autonomy in minting currency. Such tetradrachms served as stable, international currency amidst regional instability, asserting local authority and economic resilience.
Artistry: While the engraver is anonymous, this coin exemplifies the late Hellenistic stylistic tradition common in Asia Minor. This style blends classical idealism with naturalism and dynamic presentation. Though specific design details are absent, tetradrachms of this era typically featured a prominent deity head, like Zeus or Athena, on the obverse, rendered with expressive detail, and a symbolic reverse, often an eagle or civic emblem, with the city's ethnic and magistrate's name.
Technical/Grading: Struck in silver, this tetradrachm weighs 12.43 grams and measures 26 millimeters, consistent with the type's standard specifications. Technical assessment focuses on strike quality and flan preparation. Key high-points, typically the highest relief areas like the obverse portrait's hair or diadem and any reverse figure's musculature, are crucial for determining strike strength. A well-centered, full impression and an evenly prepared flan significantly enhance technical merit and overall grade.