Tetradrachm

Đơn vị phát hành Mende
Năm 510 BC - 480 BC
Loại Standard circulation coin
Mệnh giá Tetradrachm (4)
Tiền tệ Drachm
Chất liệu Silver
Trọng lượng 17.30 g
Đường kính 26 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered, Incuse
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo Noe Mende#– , Gillet#756 , Jameson#2446
Mô tả mặt trước Ithyphallic ass walking to left, with Μ on his back and with a crow perching to right on his rump, bending its head down to peck at the ass`s tail.
Chữ viết mặt trước Greek
Chữ khắc mặt trước Μ
Mô tả mặt sau Mill sail incuse.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (510 BC - 480 BC) - -
ID Numisquare 9967040250
Thông tin bổ sung

Historical Context: This silver Tetradrachm hails from Mende, an affluent ancient Greek city in Macedon, renowned for its viticulture and maritime trade. Issued between 510 BC and 480 BC, this period marks the transition from the Archaic to the early Classical era, a time of significant economic growth and cultural flourishing in the northern Aegean. Mende's coinage played a crucial role in its extensive commercial network, particularly in the export of its celebrated wine, establishing the city's identity and prosperity across the ancient world.

Artistry: The coin exemplifies the robust Archaic Greek artistic style, likely executed by a skilled local engraver. The obverse typically features the god Dionysus, patron of wine, riding a braying ass, often with a raven perched nearby. This iconic design directly references Mende's primary economic product and cultural identity. The reverse generally displays a deep, square incuse punch, sometimes containing the ethnic inscription MENDAION, characteristic of early Greek coinage and reflecting the technical limitations and aesthetic preferences of the period.

Technical/Grading: Struck on a substantial 17.30 gram, 26 mm silver flan, this Tetradrachm demonstrates the standard weight for the denomination. Key high-points for preservation would include the intricate details of Dionysus’s face and drapery, the ass’s musculature, and the distinct outline of the incuse square on the reverse. A well-struck example would exhibit strong relief and full detail on the main devices, though minor off-centering or flan irregularities are common for issues of this early period, reflecting the hand-struck production methods.

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